June 27, 2007

Must Love to Travel

Online dating is such a pain in the ass. Sometimes I wonder if it’s even more annoying than the real thing, though since I’ve never really dated all that much I wouldn’t know. I’m sure you’re all shocked by that revelation.

Anyway, as if it isn’t hard enough to find smokers in this Godforsaken land of health freaks, everyone out there wants to travel. I have personally seen enough of this large ball of dirt to know that I don’t like most of it, and that’s why I stay in one place. Why on earth would anyone want to leave a sunny coastal strip in California to go and visit exotic places and see exotic people? Hell, if you really want to see that kind of thing just drive to L.A. There’s all sorts of exotic down there, and it won’t even cost you plane fare to go. I can name several places where one can even get some really exotic food poisoning right here in town from some of our really exotic restaurants.

Lufthansa.jpgThat’s not enough, though, for the modern sophisticate. I read through the goofy profiles and it seems like everyone is all ready at any moment’s notice to pack up all their junk and jet off to some hellhole or another. They list all the wild and crazy places they’ve been or would like to see, which I assume is supposed to be impressive but really just gives me a damn headache. I can only imagine loafing around one day doing my favorite thing (meaning nothing) when potential girlfriend destroys my precious tranquility with the idea of flying to Papua New Guinea for two weeks, dragging me away from my house and my stuff. Folks, there’s a reason why I live where I live. I chose it. I like it. Seeing it every day doesn’t bother me a bit, any more than eating a medium rare steak with a baked potato every night for a year would not grow tiresome. I know what I like and I stick to it. Is that boring? Yes, but I am rarely in for any unpleasant surprises.

I find the travel destinations even more odd. I can understand London, Paris, Berlin, Rome, or any old major city in a post-industrial nation. Those places have cool buildings and museums and stuff. If I had a teleporter I’d go check them out, but sitting in a metal tube for a twelve hour nic fit is not my idea of a good time. The four hours it took to get to Chicago were pretty uncomfortable, but I managed. Tripling that sounds like a very bad time. But I digress, as always. Since Western Europe now has a “been there, done that” air about it, everyone wants to go somewhere new, at least if we define new as a rare vacation spot. So I constantly see things like “I would love to go to West Africa” or “I’m about to go to Guatemala for a week!”

Eh, no thanks.

What is there to see in those places? Nature and poor people. As far as nature goes, there is
plenty of it right here in the States. We have big trees and a huge coast in California. If you like mountains, we have Colorado. Alaska_737.jpgIf you’re looking for something more interesting, there’s this little place called Yellowstone. Ever heard of it? I hear it’s quite nice.

As for poor people, I’m just going to be un-p.c. and say that there is nothing cool about them. When I say poor people, I don’t mean those neighbors of mine who stack six people into a two bedroom apartment. They at least have electricity and television like civilized people, and every few weeks I even see them grilling burgers by the pool. The poor people I’m talking about are the ones who live in houses made out of old tires and dung, no teeth in the family and a life expectancy of thirty. That’s not interesting. It’s depressing. The fact that they might worship rocks and hold ceremonies presided over by a sacred goat does not reveal some mystical relation with nature, it just means that they’ve never seen the inside of a classroom or even a book. When wealthy Americans go over to places like that and pay the locals a few sheets of funny money, it isn’t honoring them or helping them out as much as it is rubbing their noses in their own poverty. The only time that poor people are really interesting is when they’re stealing your wallet.

I like to keep my ugly Americanism right here at home, where I can be unpleasant to my fellow Americans. They seem to understand it and return the favor in kind. Now that I think about it, I guess it’s no wonder I don’t have a girlfriend.

Philbrick just got his money back from Harmony.com

Secular Monk Archives

June 21, 2007

I Love Livin' In The Suburbs

My house smells like ham and cheese
Reading eighteenth century sleaze
Got cobwebs on the walls
My friends say I’ve got no balls
Sitting on my scrawny butt
I wish I could just meet some…

Oh, never mind. I’m not in a creative mood.

A few days ago, I went to Chicago for my brother’s graduation. It was the first time I had been there, and I must say that the overall impression of the place was positive as far as large cities go. I was pegged as a tourist about five times in forty-eight hours, but it only cost me a few cigarettes and the people scamming for money were very polite when I turned them down. Hell, I even managed to make it there when the weather was nice, which from what I hear is no small bit of luck.Cincinnati-suburbs-tract-housing.jpg My brother and his fiancée live in a very happening place, with all the buzz of life going on around them and an awesome view from the apartment. Standing on the roof of the building, we could see Lake Michigan, the Tribune building and the Water Tower while all the little ant-like people milled about on the street far below. If you’re into that kind of thing, it must be a very cool way to live, and my bro and soon-to-be sis absolutely love it. In fact, standing on the roof and looking about the town, I thought that I would love to live like that as well. It was when I hit street level that I knew that I was not a city boy.

I’ve lived near two major cities, namely Los Angeles and San Francisco, and I commuted to Oakland for a while before the phone company figured out that I could not sell sandwiches in Darfur. I always had this idea that I wanted to live in a big city, but whenever I was in one I grew quite anxious. The only reason I ever went into L.A. was because the things I thought I liked were not available in the ‘burbs, and in two years in the Bay Area I made it down to San Francisco about three times, only once staying over two hours. I hate driving, so L.A. is a pain in the ass, and people make me claustrophobic, so San Francisco is definitely out. Still, if absence makes the heart grow fonder, the longer I’m away from a big city the more romantic they seem. So when I heard my mom (a dyed in the wool suburbanite) give Chicago glowing reviews, I became a bit jealous of my brother. Huff. He lives in a cool city with lots of stuff to do and I live in an overgrown shopping mall full of tourists from L.A. and the Central Valley. Not to mention college students. Lots of them.

The trip to Chicago simply reinforced a conclusion I always come to after visiting a big city. They are great places to visit, but not to live, at least for me. I know a lot of people love city life, and I’m not putting anyone down for that. Some people love living out in the sticks, which is just as well for them. As for me, I like something in between. The suburbs really are perfect for some of us.LevittownPA.jpg For example, my neighbors all recognize me, but we never speak to each other. It’s like the best of both extremes: they know who I am and where I live, so it isn’t like being part of a faceless mass, but they don’t show up on my doorstep with baskets of strawberries and bother me while I’m doing homework. We know each other in a sense, but we also have our privacy. All the big chain stores are nearby, so if I want to rent a movie, buy a book, pick up groceries, or order a pizza, no problem. What am I missing out on? Well, things that I thought I liked eight years ago, like clubs and bars and live music, though we have all those things within a ten minute drive. We don’t have hipsters, because no one around here could possibly call himself hip. He’d just look ridiculous. Ummm, what else? Nothing that I can think of, really.

I’m certainly not the first to point this out, but popular culture (especially Hollywood) has some weird ideas about the suburbs. We’re all potential psychopaths living lives of quiet desperation and yearning for the kind of catharsis that some dickweed screenwriter thinks will save our miserable souls, as if no one in his or her right mind would actually (gasp) choose to live in a suburb. Well, I’ve been all over this fine nation, and I can tell you that some of us simply prefer minor boredom to anxiety and are quietly living out the American Dream of living in a quiet place and being left alone. Those who don’t share that dream are free to live as they like, be it in a high-rise or on a farm, but I’m content hanging around in Squaresville, USA.


As long as he's not moving into a shack in the woods to write his manifesto.


Secular Monk Archives

June 14, 2007

Is It Wicked To Care?

Yesterday was a milestone. I turned in the last paper of my first year in grad school, meaning that I am now no longer a first-year student. All that I need to do now is sit around and wait to see if I am an academic failure. I have been doing this every term since I went back to school and started taking it seriously, and I must say that the expectation of dismal failure almost always yields positive results. If you think you’re going to fail, that A- just doesn’t look so bad. This is, of course, no way to plan out important goals like performing a surgery or invading a PaulingGraduation.jpgforeign country, but I am blessed with being utterly unimportant in the grand scheme of things. If, for example, I’m wrong about something Hemingway or Spenser wrote, no one is going to die. I’ll just look kind of dumb, and while that sucks it carries no dire consequences. So, as usual, I’m crossing my fingers and expecting the worst. That being said, I’m still pretty relieved.

After I dropped the paper off yesterday, I picked up the student newspaper for some reading material while I waited for the bus. (I sure as hell am not going to dive into Clarissa just yet, though that’s part of the plan this summer.) The student paper is one of my favorite sources for news, since the writing usually falls into two quite entertaining categories: snarky sarcasm about campus affairs or ill-informed rants about politics and other big important stuff. It’s always good to have something to either laugh with or laugh at, and the paper rarely fails to satisfy.

Yesterday’s edition, though, was something completely different and had I been paying any attention to the world around me for the last two months it would have been obvious. It’s graduation time, and the issue was dedicated to the happy young graduates, featuring embarrassing baby pictures and nice dedications from parents and faculty. As usual, I was paging through the paper from the back to the front (because the goofy editorials and even goofier letters are on the last few pages,) but all was disappointment. This issue of the paper was all about the grads, and I suppose I can’t really hold it against anyone at the paper for saving one issue out of the year to dedicate to something nice.

Anyway, as I was flipping the pages, I ran across a full-page ad from some local corporate bank congratulating the graduates who were going on to become full-time employees or interns there. The ad ran the name of every fresh-faced (as I imagine them) new worker bee with a big hearty welcome. I thought that was nice, and for some reason I read every name listed, even though I didn’t know any of the people and knew I wouldn’t since I rarely leave the confines of the English Department. I thought about these people, most of whom are probably six or seven years my Graduation.jpgjunior, and how they were probably about to enter into lifelong and lucrative careers, and I couldn’t help but…well…I know that envy is an ugly word in our “I’m okay, you’re okay” society, but yes, that was about the closest feeling I had.

I know that corporate banking isn’t some high-minded and idealistic occupation; in fact, it can probably be soul-crushing. What’s a crushed soul, though, when compared with a well-paying job and a set career? This isn’t a pity party. I’m happy with where I am in life, except when I’m not, and there is no way to get those years back and not flunk out of junior college three times and not waste five years of my life doing nothing. I just wonder sometimes what it’s like to have taken the realistic road in life and to have lived up to all expectations: going to college at eighteen, joining a fraternity, living in a cramped apartment full of assholes, and getting a good job at a bank through Dad, the department or the frat. I guess people like that are usually considered boring among romantics, and for the most part I am surrounded by folks in the English Department who are out to save the world and would probably share that romantic sentiment. I just wonder sometimes if a steady income beats following your dreams. Oh well. Life is good and the first year is now over. Che sera sera, and congratulations to the class of ’07.

Secular Monk Archives

June 7, 2007

Confessions of a Blood Drinker

Hi, my name is Dolemite and I’m a bloodaholic.

I know that I’m supposed to take responsibility for my actions, but just how much personal responsibility can a video game avatar have? I mean, I never asked to be a Wood Elf in the first place. It would have been so much cooler to be a Redguard or an Orc, but my creator wanted to make a character who would be good at stealing things and sneaking around instead of doing manly work like fighting and casting deadly spells. I didn’t ask to be a short, pointy-eared punk that the girls in Tamriel would ignore (unless they wanted some stolen jewelry or something,) so I only feel partly to blame for what has become of me.

Look, I was just a kid. I woke up one day from total oblivion and found myself in a jail cell outside the Imperial City. The Emperor decided to let me out for some reason involving an heir to his throne, but he never really explained anything. So, next thing I know I’m out in the Imperial City with no friends, a few lockpicks and a sword. Having no talent for fighting I found myself stealing crap from unwary storeowners and picking pockets in order to make some cash, but the merchants in town wouldn’t buy stolen goods. How is a man supposed to go off and save the world without a few coins in his pocket? I’m not asking for pity here, just a little understanding.

pb1.jpg Soon enough, I wound up back in jail because I had no money to pay the fines for all of this bad behavior. I’m sure a lot of unfortunate stories start this way, so it shouldn’t come as much of a surprise, but I was just a naive young stripling and had no idea of how the world really worked. Anyway, I served my jail sentence and they let me back out into the cruel world of the Imperial City in much the same condition as I was in when I was busted. I was idling around the Market District one day, since I had nothing better to do, when a strange person approached me and told me to be at a certain place in the harbor around midnight. Since I had no parents or responsible guardians, hell, since I had no childhood at all as far as I could remember, it didn’t seem like such a bad idea to go off in the wee hours of the night and hang around the harbor, so I did just that. And that’s what led me eventually to the sorry state you see me in now.

The man I met in the harbor promised me work if I went and stole something and brought it back. No problem, I thought, even if I get caught nothing’s really going to change. So I broke into someone’s house and stole his diary, thereby becoming a member of the Thieves’ Guild. I was a natural. I could sneak right up to an Imperial Guard in broad daylight (oh, how I miss the daylight) and swipe the keys to the castle without him noticing a thing. I rose up in the ranks until I was working for the master thief, the Gray Fox himself. It was while working for the Gray Fox, though, that my life took the ultimate downward turn.

One evening I broke into a vault that was supposed to contain a magical item that my boss wanted, when an old hag with a magic staff attacked me. It was a pretty intense fight, during which she bit me. Well, that set me off. I’ve said I’m not much of a fighter, but damned if I wasn’t suddenly a Gladiator after that. I mean, she bit me. That really pissed me off. So, I cut the old bitch to ribbons and took my loot back to the Grey Fox, and didn’t think much about it. After a few days, though, I started having the strangest dreams about people bleeding and my nonexistent family on fire. Weird shit, since I’m normally a pretty peaceful sleeper. Next thing I knew, I couldn’t go out during the day without getting a really bad sunburn, and I don’t mean the kind you get when laying out on the beach too long. I mean, there was smoke coming off my skin, literally. After a few more days, I started looking really old and no one would talk to me. I started spending days indoors and only going out after dark, but I found that if I concentrated real hard-like I could make the night light up and even see living creatures through walls. That was pretty cool, but it still wasn’t much fun being the only person awake except for my fellow thieves.

pb2.jpg Then one night I came across this homeless guy sleeping near the harbor. I don’t know why, but I had this strange urge, like an itch. So I bit the guy, and while I didn’t feel quite as strong afterward, I certainly felt a lot better. Moreover, I looked almost normal again and people would talk to me. That was when I began to understand what had happened and that was when I began to lose control.

This homeless guy was a handy target for blood, always at the right place and at the right time. I didn’t have to break into anyone’s home to find blood, since the old coot was always lying out in the open. One night, though, I was taking a sample (that’s what I like to call it) and the bastard woke up. Before he could make a bunch of noise and attract the guards, I put an arrow through his head. There went my easy blood supply, but when I went to bed that morning some new guy came right into my room and told me about a new group I could join, the Dark Brotherhood. Well, things couldn’t get much worse, so I took the job.

In the past few days, I have murdered numerous people, from traitors to pirates and even a few of my old friends all for the Dark Brotherhood. I stand before you all today, a thief, a murderer and a shell of a man who is hopelessly addicted to human blood, for which there appears to be no cure. If anything, I hope I can serve as an example of what not to be and an example of what happens when a gamer makes a bad mistake and does not simply reload a botched mission.

Thank you.


Philbrick's a pretty good thief too.


Secular Monk Archives

May 24, 2007

Why I Live at the P.O.

At nineteen I quit my job at the local theme park and took on night work as a paperboy after flunking out of junior college for the first time. It was perfect work for someone who preferred sleeping all day and cruising around late at night amped up on coffee and cigarettes to actually dealing with members of the public. I’m not very good at public relations and selling hamburgers to sunburned tourists for two years had aroused something even worse than typical teenage angst. I really, really hated my fellow human beings, and being too dumb to find a decent job where I could work alone, I got a job delivering the local newspaper.

ben1.jpg I usually showed up to the warehouse around midnight to secure one of the ancient OSHA defying paper wrapping machines (and in the hopes that I could finish the job quickly,) but the paper’s press was some old thing that the owners had apparently bought from a Cold War era Yugoslavian garage sale, so six nights out of seven it broke down. Furthermore, the illegal immigrants who worked on the press were paid by the hour and so had no incentive to see timely production, so most of the early birds like me had a lot of waiting around to do. Luckily, there was an all-night indoor newsstand a few blocks away that sold magazines, cigarettes and porn and even had a smoking lounge, so while the press workers hit the machine with hammers and swore in Spanish there was somewhere to go.

It was there that I finally saw my first ever issue of the legendary L.A. zine Ben Is Dead. It was the strangest thing to see this magazine in my Podunk town. I had heard about it, seen it advertised on t-shirts and even heard it mentioned once on MTV, but this was the first time I had ever actually seen the thing in person. I grabbed the issue and went back to the warehouse to see what I had been missing. This particular issue was devoted to comics, which don’t particularly interest me, and the writing wasn’t always great, the design looked cheap, and the font was so small as to be barely legible, but damned if I didn’t read that thing from cover to cover. Many times. All one hundred-fifty pages of it. There was just something so weirdly beautiful about the whole thing, as if the people who produced it were so thoroughly obsessed with what they were doing that I couldn’t help being drawn into it.

ben2.jpg Every week I went back to the newsstand to see if a new issue of BID was out, and every week I left with Angry Thoreauean or Carbon 14, because Ben Is Dead had no real publishing deadlines. It seems like they just published the damn issue whenever it was ready. In fact, it wasn’t until almost a year later that a new issue finally hit the newsstand, and I took it home only to find out that it was their last issue. Yes, it would be hyperbole to say that I was heartbroken, but the feeling was pretty close. Here was something awesome that had been around for ten years and I only caught the tail end of it.

Well, fast-forward to last summer when I ran across Faster Than the World one morning while surfing my daily blog rounds, and that old Ben Is Dead feeling hit me once again. The difference was that this time the authors were talking about stuff that I really did find interesting and they wrote well. I started hitting the site every morning and reading the archives like the compulsive loon that I am. I read the “submit” link a few times but was frankly too chickenshit to actually send anything in, since the content already beat the hell out of anything I thought I could add. Finally, during a particularly crazy week in the first quarter at school, I linked to FTtW and told my five or so readers to check it out instead of reading my blog. Thanks to some slight prodding from Michele, I overcame my shyness and now my drivel is up every week, only now it has more readers.

Anyway, to sum all this up, thanks guys. This has been a really cool experience and I’ve been thrilled since seeing my first post actually up on the site that I could be a part of it. Happy birthday, and may we see many more.


A noble spirit embiggens the smallest man.


Secular Monk Archives

May 17, 2007

Literary Lessons

Finals started about two weeks ago, which is odd since the actual papers aren’t due until the first week of June. That’s how we roll, though, and I’m looking at a total of about twenty-nine written pages along with three oral reports, one on Mary Queen of Scots, one on Medieval theology and one on an eighteenth century pornographic novel. It seems like one would learn how not to behave after two previous quarters, but I’m still the same procrastinator that I’ve always been and now that’s about to bite me in the ass once again. So, aside from the occasional unofficial zombie massacre, gaming season is over until summer and I must switch momentarily from geeky fanboy to lit-nerd. Thus, this column is one of those unfortunate mixtures of business and pleasure.

Elizabeth_I_%28Armada_Portrait%29.jpgThe popular trend in reading literature from previous eras (especially pre-nineteenth century) is that those societies in which the works were written are so alien to us that we cannot understand them without an insane amount of research into what the people actually thought about themselves. I’ll toe that line in the classroom and on paper, but I really think that for the most part it’s a bunch of balls. Yes, we can’t expect as much sympathy toward women in a book that is four hundred years old and the religious folks at the time are still trying to determine whether or not women have souls. In addition, while I may personally wince when a literary character is thrown from a cliff for disagreeing with political doctrine, I know that such an act is actually meant to be viewed as one of justice and not tyranny, given the historical context. However, I am a uniter and not a divider (as someone said,) so I like to look for those things that never seem to go away, no matter how much time passes. Using the last two months alone, I would like to examine a few simple truths that I have found in reading old books.

Pamela-1742.jpgThe Faerie Queene: Successful politicians are often surrounded with useless sycophants. Queen Elizabeth turned this into an art form, and every goofy boob who wanted her attention wrote poetry and letters professing undying love and devotion to her. Of course, her more reliable allies often disagreed with her and were subject to her tantrums more often than the sycophants were, but I think Liz ultimately knew the difference between the two. Edmund Spenser was one of the sycophants, as the massive six-book epic The Faerie Queene makes clear. That the queen knew that Spenser was a sycophant is obvious because she sent him off to be an administrator in a dumpy backwater known as Ireland instead of giving him a position in her court. Spenser hated Ireland and the Irish, and the feeling was mutual: an angry mob torched his house when he was on vacation. Spenser would eventually write some thinly veiled swipes at Elizabeth in his work. Lessons? 1. Power attracts sycophants like flies to shit. 2. A wise person can see the difference between a sycophant and someone who is truly loyal (and useful.) 3. We can’t all get along. Sorry. 4. Finally, a politician’s most vocal supporters may harbor some pretty nasty grudges against him or her.

Pamela; or, Virtue Rewarded: Samuel Richardson’s Pamela is an epistolary novel about a young girl of peasant stock who goes to work as a servant for an emotionally damaged squire, known only as Mr. B. Throughout the book, Mr. B. continually assaults Pamela Andrews’s virtue through imprisonment, attempted seduction and even attempted rape. Pamela, of course, is so damn good and virtuous that the squire eventually casts off social prejudice and marries her in spite of his family’s objections. Pamela weighs in at five hundred pages of clunk and can be seen as the forerunner to the modern Fabio novel, appearing on the literary scene almost one hundred years before the dreaded Jane Eyre. It was quite controversial in its time, and prompted Henry Fielding to write a short burlesque of it called An Apology for the Life of Mrs. Shamela Andrews. That’s an unnecessary detail, but Shamela is funny enough to deserve mention in all this, especially since I had the pleasure of reading it after having to slog through Pamela. What’s the lesson in all this? Virtue, goodness and purity of heart win out over power and money only in novels and other works of fantasy. In reality, Squire B. would have knocked up Pamela and sent her to a brothel. Life just isn’t that fair.

Book-auctioneer.jpgThe School of Venus: This is an English translation that came out around 1680 of a French book called L’Ecole des filles. It’s a dialogue between a young virgin (at first) and her slutty cousin, wherein the older cousin, Frances, tries to procure her cousin Katy for a slimy suitor named Roger. Frances tells Katy all about sex in the most graphic details, using terminology that I did not know existed back then. Katy then goes and has an affair with Roger, and Katy recounts her adventures in equally lurid detail. The two discuss numerous sexual positions, masturbation with human-sized dolls and dildos (for those who can’t afford a doll,) the beauty of hypocrisy, and the sexual practices of nuns. To make things even better, The School of Venus has pictures. The lesson here is obvious. There is something strangely democratic about porn. This particular book was sold to anyone who could find it and buy a copy and it’s easy to assume that the aristocracy would have enjoyed something like this just as much as a brewer or a ditch digger, provided that the ditch digger knew how to read (of course the pictures would have made up somewhat for a deficiency in that area.) This item was probably quite popular, even though no one actually owned a copy (wink.)

Anyway, there is my kooky and illogical rant for the week. Looking at it, I’m beginning to wonder why I even consider this to be homework. If it wasn’t for modern entertainment, I’d probably be reading a lot of this stuff for fun.

Philbrick is getting all smarty and stuff on us

Secular Monk Archives

May 10, 2007

After This, I’m Gonna Beat the Hell Outta Yer Old Man!

The last role-playing video game I owned before Elder Scrolls: Oblivion was Ultima VI, which is a stretch of about fifteen years. I guess I’m just not into sacrificing action for the sake of a story. Even when I did play Ultima I never really followed the story, I just went around massacring the innocent townspeople and taking their stuff. I know that many of my friends played the game the same way, and I suspect that that’s what made Grand Theft Auto inevitable: sometimes folks just want to act out their unbridled id in a way that is safe and without consequences. This separates the vast majority of gamers from the psychotic few that we hear about on the news and who make legislators itchy to “save the children.” Even at thirteen, I knew that it was not cool in real life to use a tavern as target practice for my new crossbow. Oblivion.jpg I never did finish Ultima VI, though, because even when I decided to play it seriously the game blocked the ending from me because I had been such an evil knight. Sorry. I don’t mind being the good guy if that’s how the game works, but if given a moral choice my virtual alter ego is almost always a sociopath.

My dislike of role-playing games intensified in the last few years due to a friend of mine who really likes them. I have spent far too many hours at his apartment watching him get totally baked and playing one kiddie game after another where a group of anime characters runs around the world killing what look like gigantic stool samples that appear out of nowhere, all in order to save some princess or something. He seems to spend at least half of his time farting around with magic spells, mixing eye of black toad with double-happiness tree root to create the super ferocious wombat spell that I will get the pleasure of seeing over and over again in the exact same animation until he finds something else. Look everyone, I know it’s an unfair stereotype, but it’s my experience with that class of gaming.

2007 A.D. and Elder Scrolls: Oblivion comes into my collection and Dolemite, a Wood Elf in the class of Assassin and born under the sign of The Thief enters the unsuspecting world of Tamriel. Dolemite is short and ugly, carries an iron dagger and a pocket full of lock picks and is slowly and painfully learning the art of thievery. I have spent a number of hours playing this game and I have probably completed about four official missions, two of which were in the service of the Thieves’ Guild. I have spent most of the time merrily breaking into houses and stores, loading up on expensive merchandise and fencing it through a shady dealer in order to pay other thieves to train me how to be an even better thief. Oblivion2.jpg I get caught frequently and have to restart from a saved game, because the guards in this game are rather ruthless and will either take the character to jail (where he loses all his stolen goods,) order him to pay a fine (and take all his stolen goods) or kill him, depending on the response I have him give when he is arrested. Even a nimble Wood Elf like Dolemite cannot outrun the police in this game, and they are nearly impossible to fight at my level. So thieving has been trial and error so far, but if it is only one fraction of the game, I suspect that this game will be full of stuff to do. This is a good thing, because the longer it takes to complete one game the less likely I am to buy another.

Dolemite has performed one good deed so far. A woman’s husband went missing after going into debt from gambling and I tracked him to a remote island where innocent people are hunted for sport. Dolemite isn’t much of a fighter, but he can run fast and fire flames, so I quickly took care of the three hunters and then stole their armor and weapons in order to give a world-class beatdown to the ringleader. The husband still died, but his wife gave me a book which I quickly hocked to a legitimate merchant for some extra coin to aid my thieving endeavors. Supposedly, there is an assassin’s guild called the Dark Brotherhood, but they only offer membership to characters who have murdered someone, and the Thieves’ Guild doesn’t go in for that sort of thing. So I’ll have to finish one set of dirty deeds before moving on to another. Perhaps after that I will atone for my sins and try to do something good, but until then Dolemite will be the terror of Tamriel.

I’m thrilled to see that the grand old world of Ultima style role-playing games has returned right under my nose and in an absolutely beautiful package. Everything looks great and the sound is awesome. I think there might even be a good story in there somewhere, but who gives a shit about that?


Philbrick will not shoot you with a crossbow, and carries one everywhere to remind you of that.


Secular Monk Archives

May 3, 2007

TV Technology Blues

After class last night, I went out in search of a good and affordable HDTV, which thankfully I could not find. The choice was between an inexpensive twenty-seven inch and an expensive thirty-two inch, and those five inches change whether or not the television is at all desirable. Feel free to make penis jokes here. Not wanting to leave the store empty-handed I walked away with Elder Scrolls: Oblivion instead and returned home to play it on my rapidly aging tube set. secTelevision.jpg Perhaps I’ll write about the game at another time, but so far I’ve only put about an hour into it, so there really is not much to say. I’m getting my ass kicked by a bunch of unruly skeletons with maces and battle axes, and since I know very little about the world of role-playing games I don’t know how to increase my character’s mojo and today, well, today I’m supposed to be reading Roxana and writing this column, so this game will take some time.

The radio, of course, tormented me all the way home from the entertainment superstore. I flipped through the six preset stations, all of which were advertising “Local sports station, now in HD!” and “Local news, now in HD!” and “Radio, now in HD!” Taunting me, I tell you. Every ad was a thinly veiled insult: “Hey loser, why do you have a TV with a tube? What kind of space age bachelor are you? Why would you buy an Xbox 360 just to play it on a wind-up toy?” Pity me folks, I’m a wretch. No sex life, reading Roxana and The Faerie Queene and playing high-end games on a TV with a tube. Those people in third-world countries think that they have it bad. What do they know? They’ve never even seen high definition television.

If there is anything I can say in defense of my low-definition TV, though, it is that low-definition is also low-maintenance. When I brought the thing home, the only thing I had to do to make it work was plug it into the wall. sec1950%27s_television.jpg This morning, with my head slightly cooled, I started doing some research and found out just what a pain in the ass our brave new world is becoming. Apparently, a television is no longer simply a television, just as the Xbox 360 and the Playstation 3 are not simply video game consoles. It seems that high-definition is some sort of way of life, and it is no longer good enough that the TV just does its job. Plugging in one of these new-fangled televisions now requires a bunch of external junk that when added on to the initial price makes the whole thing ridiculously impractical for someone living on my nonexistent budget. Just as the Xbox 360 is some sort of media center with all kinds of expensive things I can add to it to make it file my taxes and do my laundry, HDTV is something that could easily take over my entire apartment. This is the problem with upgrades in technology. One would think that aside from making something that already exists cooler, it should also be easier to use. Instead, technology just becomes more and more complicated. Aside from price, until this new technology can be as easy to use as the old technology and improve upon the quality, I’m sticking with my boring old LDTV, even if it doesn’t look as cool when I’m eviscerating zombies.


As long as Philbrick is working on his zombie killing skills, he'll be just fine.


Secular Monk Archives

April 26, 2007

Totally Deep Metaphors and Shit

Whenever I buy a new game, I always try to play it on the hardest difficulty level. I am of the opinion that video games are too expensive to play on “easy” level. If a normal game played on a lower difficulty takes about ten hours to complete, I figure it’s probably better to raise the difficulty and get at least two to four more hours out of the thing before I’m finished. Aside from that, I also think that finishing a game on “Totally Fucking Psychotic” mode gives the gamer certain nerdy bragging rights. “Yes, my friend, you may have beaten Zombie Death Revolution V, but on what level?”

Sometimes, though, this approach leads to a lot of unnecessary frustration. I have thrown my hands up in annoyance on numerous occasions, when getting from checkpoint A to checkpoint B becomes a tedious affair that lasts half a day. I am currently in this kind of stalemate with both Gears of War and Rainbow Six: Vegas. PHILrainbow-six-vegas.jpg In the former, I am close to the end of the game and this sort of thing should be expected, but in the latter, I am only on the second mission and I can’t even break into the stupid casino where the main action is supposed to take place. Aside from the fact that this shows just how unfit I am for the military or law enforcement (at least as a tactician,) it is also beginning to cramp my enjoyment of the games. This is especially true of Rainbow Six, in which even the first mission turned into a lousy, aggravating slog that I was more relieved to finally finish than anything else. After being killed by crouching unseen shotgun guy for the one-hundredth time I was about ready to throw the controller through the television, and even after figuring out how to kill crouching unseen shotgun guy there was a whole room full of crouching unseen machine gun guys just waiting to make my life as a virtual counter-terrorist operative miserable. After a while I begin to wonder if it would just be better to play as a rookie and enjoy the game.

In the non-gaming part of my existence (about ninety-five percent,) though, I am finding that the problem is the exact opposite. In class, I sit in a small room full of fledgling literary critics and professors, each with a particular axe to grind. The current source of my literary misery is Edmund Spenser’s The Faerie Queene, a one thousand page poem from the late sixteenth century which is basically a big fat smooch to Queen Elizabeth’s snowy white posterior.PBGirl_with_Dunce_Cap.jpg (English majors in the house, please back me up on how bloody dull this book is.) Anyway, my experience in this class is like being the newbie in some sort of hardcore tournament. While I am simply trying to get the plot of the thing down, the rest of the class is breaking down every sentence in order to duke it out over specific personal agendas. We have the guy who wants to prove that everything in the book somehow relates to the American colonies and syphilis (true story,) the woman who wants to find rape and sexual violence in everything, the woman who is obsessed with revenge since she is writing a dissertation on Hamlet, the guy who tries to use as many big words to say as little as possible, and the woman who simply disagrees with anything that anyone says. This final one sits next to me and whispers about how stupid everyone is in my ear, which is distracting in more than one way. Meanwhile, I sit in uncomfortable silence and watch my participation grade die because I can’t figure out what the hell everyone is going on about.

Part of the problem is that I play life in rookie mode, while those around me are in hardcore psychotic mode. It’s rather disorienting, mainly because I’m used to being the middle-achiever in a group of underachievers and now I’m the middle-achiever in a group of insane overachievers who have been playing this particular game for years. So I’m trying to learn how to play life on a harder difficulty level but without the comfort of knowing that the game will be the same the next time I pick it up. Hopefully, when I finally figure out how to get the boulder to the top of the hill it will not roll back to the bottom.


Philbrick doesn't like poems anyway, not even haiku.


Secular Monk Archives

April 19, 2007

Zombie Killa

[Note: I did not intend to write two game reviews in a row, but the other column I had started was so lame that my sense of shame kicked in for once.]

Sometimes I wonder if I’m totally hellbent on destroying my academic career. While I am still in the middle of a steamy and time-consuming affair with Gears of War, I struck up something on the side with a sleazy and trashy little number by the name of Dead Rising. I figured I should air my dirty laundry right here in public because on one hand I can think of nothing else to write about and on the other Dead Rising seems like a perfect Faster Than The World game. Allow me to explain. dead-rising.jpg When I first started reading FTTW, I noticed an interesting fixation with zombies among both the editors and contributors, and seeing as how I like zombies as much as the next well adjusted and healthy guy, the whole walking undead thing was one of the many grand oddities that kept me coming back to the site. Now I can finally give back to this wonderful community by adding my own zombie contribution.

Dead Rising places the player in the shoes of Frank West, a photojournalist who has received information of some strange happenings in the small town of Willamette, CO. He hires a helicopter pilot to fly him into the town and sees the townspeople engaged in some rather strange activities. Being the intrepid journo that Frank is, he has the pilot drop him off at the local mall, which soon becomes infested with zombies. Frank’s goal in the course of the game is to figure out just what the hell is going on while also saving as many stranded non-zombies as possible. Oh, and he also has to kill a lot of zombies in whatever way he can. The methods of zombie killing in the game range from guns to baseball bats, chainsaws, canned food, televisions, umbrellas, benches, compact discs…well, I think you probably get the picture. The mall is full of zombies and you have to use whatever is available in the mall to take them out. The game plays out in a sort of “real-time” game universe, and Frank has seventy-two hours to do whatever it is he is going to do and get his ass back to the helicopter landing pad.

It’s not all zombies, though. In the overall story of the game, the zombies sort of fade into the background and become nuisances that Frank must beat back in order to clear paths to his objectives, and the objectives themselves are often even weirder than the hordes of undead mall people. dead-rising2.jpg I am less than a third of the way through the game and I have already had to fight a gang of escaped convicts in a jeep with a heavy machine gun attached to the rear end, a psychotic clown wielding two chainsaws, an overzealous grocer armed with a shotgun and a fully tricked-out shopping cart, and a religious cult. Add to that the swarthy man and his equally swarthy sister (who chased me down in the mall on a motorcycle,) the characters that reveal that the mall was built on top of a…oh, why bother, you already know.

Of course, rescuing people and fulfilling objectives is all well and good, but sometimes it really is all about the zombie killing. Plenty of gamers who have beaten the game and opened up all the power ups (and probably some who have not) are treating Dead Rising as a sort of zombie version of Grand Theft Auto, killing as many zombies in one sitting as possible. One guy at Gamespot was trying for thirty-thousand the day I bought the game. To put that in perspective, my total kills so far are around six-hundred. This is where the replay value of the game no doubt comes in, because while Dead Rising is not as solid as Gears of War, it offers a sandbox mode that is always appealing. This is why I’m still playing The Warriors after I shelved God of War long ago, even though the latter is technically way better than the former.

If Dead Rising sounds like a blatant ripoff of Romero’s Dawn of the Dead, that’s probably because it is. In fact, the ripoff is so blatant that Capcom saw it necessary to add a disclaimer on the cover of the game, reading, “This game was not developed, approved or licensed by the owners or creators of George A. Romero’s Dawn of the Dead.” You might call it theft, but I call it an endorsement.


Philbrick has been preparing for the impending onslaught. What have you done to prepare?


Secular Monk Archives

April 12, 2007

Guns, Guts and Geekery

I got depressed last week and bought an Xbox 360. Don’t try to make sense of that sentence; it won’t work. When I told my friend the same thing, he asked why I was depressed. “Dude, that’s not the point,” I told him. “I bought a 360 and it’s fucking awesome!” Now, what’s odd is that I was going over the FTTW archives this morning (specifically Meg’s columns) and I found a comment I wrote that basically said I would never buy a third-generation system. Well, as usual I can now say that I made a dumb statement, because the damn Xbox is sitting on the VCR right where my Ps2 used to hold its little throne. Do I regret this? Perhaps when the credit card bill comes in the mail, but for now I am in the midst of a blissful honeymoon with my brand-new overpriced and insanely impractical toy. So I am writing this column today in the midst of rapturous geeky enthusiasm instead of my usual cranky “What can I complain about today?” mode. We shall see how well this works.

gears-of-war_box.jpgMy gaming life, much like my love life (when one exists) is usually intense short-term serial monogamy with the vague and unlikely possibility of a romantic flare-up after we have gone our separate ways. With this in mind, allow me to introduce my new sweetheart, Gears of War. It has been around a while and has quite a few other lovers, but I am nothing if not forgiving, especially when the love of my life is such a hot little package. Gears of War, how do I love thee? Let me count the ways.

As far as I can tell, the plot goes something like this: the main dude, one Marcus Fenix, is serving a jail sentence for defying military orders when the earth is overrun by big, ugly mutant subterranean bug thingies generically called “locusts.” Marcus is let out of jail because he’s a kickass soldier and the planet needs all the help it can get. Marcus is a big dumb crazed oaf who teams up with other big dumb crazed oafs in order to rid the world of the mutant menace. That’s the plot. Nothing more. This game is pure action porn, with none of those damn twenty-minute cut scenes (unlike that bitch Metal Gear Solid,) so there is no huge conspiracy that you have to piece together while playing the game and there is thankfully very little downtime. Mutant bad. Marcus kill mutant. Marcus like guns. Grunt. Snarl.

Gears of War owes a lot to the classics like Doom and Quake, which have similar plots, but the gameplay isn’t run and gun like the oldies. Instead, the player has to rely on a take cover-fire-kill mutants-take ground system that the designer apparently thought up while paintballing. He thought that this would make the game seem more like a “real” firefight, though whether or not that is true is up for debate. I won’t speculate because I know that a lot of the readers and contributors here actually have been in real firefights and I frankly don’t need to be told that I’m full of shit, so I’ll just say that the system is very satisfying from this gamer’s perspective.

For the most part, the weapons are fairly typical for a shooter: there is the shotgun, the pistol, a burst-fire machine gun, grenades, and a sniper rifle. On top of that, though, Marcus occasionally gears_of_war_1.jpggets to use a weapon called the Hammer of Dawn, which fires a huge laser beam from the sky and fries large enemies. There is also the Torque Bow, which fires arrows with explosive heads. Eat your heart out, Ted Nugent. Finally, the gun that is used most often is the Lancer, a really big machine gun with a fucking chainsaw attached to the end…Sorry, I had to stop typing for a moment. This attachment is very handy at times when an enemy gets too close, as Marcus can lay into a mutant with this little bayonet and spray gore all over the camera. When he or one of his AI buddies uses the chainsaw, one of them will often grunt something along the lines of, “That saved some ammo.” Yep, these guys are that cool.

Even on my low-definition television, I can see the difference between the second and third generations of game platforms. The frame rate is pretty amazing, especially when Marcus is running: the camera goes into a sort of handheld mode and he runs fast. The novelty of that alone still hasn’t gotten old, and I have put plenty of hours into this thing. Secondly, I know that if I had a stereo system the sound would be incredible. The mutants let out some amazingly creepy sounds, especially the “wretches,” which are some kind of mutated dog-lion things that emit a blood-curdling screech before attacking. The only things that are stopping me from going out and upgrading my entire entertainment system are my bank account, my studies and every last bit of restraint. (These same things have kept me from upgrading my DSL and buying the wireless card, incidentally.)

In conclusion, I’d like to give all due apologies to the Wii partisans here at Faster Than the World. I have found my system. I’d also like to extend a big hearty “fuck you” to Sony, who just lost a customer to Microsoft. Yeah, that’s right. Microsoft. Here’s an idea for the future, guys: make your damn product, get it out on time and don’t require me to sell any organs in order to buy the thing. Oh, and Gears of War rocks. Did I mention that?

The Word Whore Archives

April 5, 2007

How Did I get Here?

The column that will get me banished to MySpace

I had lunch with an ex-girlfriend the other day, for no other reason than that she had pestered me via email until I finally relented and agreed to see her. Having arrived a half-hour early to the appointment, I wandered down to the beach and sat on a short brick wall to watch the waves and the people, and I was struck with the strange sensation that I was witnessing what normal people do when they live in a beautiful place, or at least have access to one. Families were well represented, with fathers and mothers getting sunburns while their kids made sandcastles and dug holes in yet another futile attempt to reach China. Others walked around in various states of appropriate undress, and some carried surfboards, volleyballs and other fitting things. It was a very pleasant scene, one that I had seen many times before but never from such a remove as to appreciate it fully.

musclebeach.jpg The appointed time came and I met the ex at a Mexican restaurant nearby. We ate our burritos and chatted about music, movies and other such things that people talk about when they don’t really want to talk. We were surrounded by groups of people doing the Sunday afternoon at the beach thing, chatting loudly, drinking wine and fawning over small dogs out with their owners. After we finished our burritos the waitress shuffled us out of the restaurant quickly, and we decided to go for a walk on the beach because there was really nothing else to do at that point.

We must have made for the most ridiculous pair of people on the beach that day: two people under thirty trudging through the sand on a sunny day in jeans and sweatshirts. Even the old hippies doing yoga in Speedos seemed more in their element than the two of us, since there is nothing odd about old hippies on the beach. At that point I realized that something was plain wrong with the way I have been living my life. What exactly was I, a man with no real responsibilities, doing walking the beach in a sweatshirt and jeans with an ex-girlfriend who I knew was at some point going to berate me for something or other?

Comparisons are odious. I know that because some dead poet said it. Even with that in mind, though, I could not help comparing myself with the people I saw around me. I know that their lives are probably no more perfect than my own, but hell, they were actually out doing something and seemed to be enjoying themselves. The young couples were probably going to go home and screw each other, the families would go home and treat their sunburns just like mine did years ago and the old hippies were…well, the old hippies were going to do whatever old hippies do. I was going to let my ex-girlfriend yell at me for a while before going home and playing God of War or reading The Faerie Queene until it was time to go to bed.

There’s nothing wrong with reading The Faerie Queene or playing God of War of course, but good God, I live within a two-minute drive from the beach and actually pay rent to live here. Why on earth am I not doing anything to take advantage of this situation? People take whole weeks off from work just to come and hang out where I live and all I ever see are the walls of my apartment and the stacks in the school library. Talk about a wake-up call.


Philbrick is afraid he's not old enough to do yoga on the beach in Speedos yet.


Secular Monk Archives

March 29, 2007

Eighteenth Century Book Review – Memoirs of a Woman of Pleasure

The Book that I hold in my hands, one Memoirs of a Woman of Pleasure by one Mr. John Cleland, shall live in infamy for all subsequent times unless we, the English people, do what is necessary for the good of our Nation, and burn all extant copies of this most nefarious Book at the site of the nearest hangman. This vile Book, I daresay, is such an egregious Attack on the morals of our youth, that I found myself reading it twice in one sitting, in order to assure myself that not only had the filth that I had just read actually existed, but to mark and underline every offensive passage, which was not an undaunting task, I assure you.

Love_in_a_Tub.jpg Mr. Cleland’s Book, told from the perspective of a Whore by the name of Fanny Hill, is replete with tales of the most unnatural acts, Viz. self-love, acts between two members of the same sex and other such grotesqueries that I shall not describe in detail lest I become implicit in so soiling the moral fabrique of you, my dear Reader, as the abominable Mr. Cleland has so clearly sought to do. I know that we English could not possibly imagine such deprav’d and contemptible acts as those which take place within the pages of this Book, so I suspect that Mr. Cleland is a nom de plume, either of some wanton Frenchman or an agent of the Romish Church, seeking to corrupt and undermine the principles of this fair Sceptr’d Isle. The very fact that this Mr. Cleland would stoop to speak from the voice of an English woman is all the more loathsome, for to impute this kind of ill behaviour and rude manner of speech on one of our fairer sex is to tarnish the moral nature of both our Nation and her women.

I must urge you, dear Reader, not to fall into the evil trap of Memoirs of a Woman of Pleasure. There has not been a greater Attack on our values, nay, on Christianity itself, in many a year. Having read the book not one, but two times I can say with all certainty that the strange feelings that occur’d in my trousers while perusing this toxique tome were not natural by any means, but no doubt the work of Old Scratch Himself as he work’d through the odious pen of Mr. Cleland. I fear that if this Book becom’s well read, the Devil will have caus’d our Nation to stray far from Mr. Sidney’s notion that Poetry should teach as well as delight, for while this foul book delighted me in only the most unwholesome ways, it also taught me the coarseness of one man’s thoughts.


Any editors who own trenchcoats are already off to the bookstore.


Secular Monk Archives

March 22, 2007

A World Wide Web of Morons

Ever need to feel better about yourself? Lord knows I do (on an almost daily basis,) but that’s probably due to some sort of inferiority complex and I don’t feel like paying a shrink to sort it out. Besides, neurosis may not be good for the soul or the mind, but it can make for some interesting thoughts. Hopefully. See? There I go again.

sec3.jpgI wrote here a few weeks ago about a protest that the Legion of Bored Students threw in order to skip class and make a bunch of noise. Well, they had another one on Saturday, probably to make room for those who wanted to protest something but actually had to be somewhere during the week. I figured that by Saturday night there would be something up on the Web regarding the whole thing, so I ran a Google News search to see if anything had been set on fire. The Google News affiliates were silent, as were the blogs (which surprised me,) but an interesting bit of news came out from a few days prior that I had completely missed. Apparently, there was a gang brawl among a bunch of junior high and high school students in what we quaintly call the “downtown” area of what is really just a big suburb, and the brawl ended with one death and one murder arrest along with the lockdown of several city blocks.

The local weekly rag (you know, that free newspaper that contains hard-hitting stories next to ads for hookers and Viagra) posted a lengthy and fairly objective piece on the whole sorry incident. It’s a tragedy of course, and I really wish that I didn’t feel the need to say that, but I want to make it clear that I’m not making light of the actual situation. A fifteen-year-old kid is dead and a fourteen-year-old is facing a murder charge and might be tried as an adult. So know this: I am not making a joke out of what happened, nor am I looking to provide a solution to a problem that I can’t fix. What I’m really trying to do is beat up on those who think that they actually can do those things. My targets here are the jackasses who posted at the weekly’s message board, whom I wish to a) stereotype and b) eviscerate.

Type 1: The Bigoted Right Wing Asshead: This guy almost always gets the ball rolling. He immediately pounces on the fact that the victim and the alleged murderer have Spanish-sounding names and writes a stupid missive that goes something along the lines of, “This is obviously ‘cuz of illegal immigrants. sec2.jpgThey oughta round up all these Mexicans and send ‘em back to Tijuana. Don’t these people know that without us they’d all be speakin’ German?” Type 1 of course has no clue as to the national origins of those in question or their status as immigrants. They may be fifth generation Americans from middle-class homes, but why bother even thinking about that possibility when you are a dumb, ignorant prick?

Type 2: The Idiot Who Takes the Bait: If you take the time to argue with a fool, you probably are a fool. This person will write something like, “UR STUPID GO BACK 2 MONTANA U REDNECK THESE PPL DO JOBS WE WONT DO!!1!!” Note the assumption that the kids are poor illegal immigrants (or at least the children of illegal immigrants,) which no one bothers to question.

Type 3: The Blamers: “Where are the parents?” “Where are the teachers?” “Where were the police?” If we could just pin society’s problems on one group of people, we would all be living in Candy-Land tomorrow. Because, you know, things really are that simple.

sec1.jpgType 4: The Blamed: “I am a parent! I teach my children to have values!” “I am a teacher! I don’t get paid enough money!” “I am a police officer! We were on the scene within minutes!” The blamed then deflect the blame onto one or more of the other groups. Because, once again, things really are that simple.

Type 5: The Person Who Actually Says: “Why aren’t we thinking about the children?” Yes, it’s been a joke for at least ten years, but someone will put that one on the table.

Type 6: The Troll: “Little bastard deserved it.” Don’t confuse Type 6 with Type 1. Type 1 actually believes what he is saying, whereas Type 6 is just trying to piss people off. Unfortunately, as with Type 1, people do take the bait.

Type 7: Left Wing Asshat King of the Non Sequitur: “Oh sure, we have this so-called ‘War on Terror’ when the terror’s really going on right here at home. This is all a result of the (p)Resident’s phony war for oil!” He’s got it. There were no street gangs in California before 2001. If everyone would just wake up and throw off their shackles of ignorance the workers of the world would have nothing to lose but their…sorry, I just fell asleep.

To sum up (or at least to finish this damn thing,) the whole sordid thing that happened last week does not make me feel any better about myself or the world around me, but the fuckheads who comment on it certainly do.

Archives

March 15, 2007

Inferno

[Sorry everyone. It’s finals week in Philbrick Land. Here’s one from the archive.]

It came to pass that I found myself lost in the strip mall. I looked all about me and the buildings all appeared the same. It had been a long day and I was weary. The stores all looked the same and I could not find my car.

PL2.jpg Suddenly I was menaced from three sides: a woman, fortyish, with three ferocious chihuahuas on one side. On another, a high school kid with eyes red like flame asking me for a cigarette or some spare change. On the third, a homeless man ranting about technology and Armageddon and Jesus. I could not run, for I was surrounded, nor could I fight for I had been eating nothing but pasta for three days. Panic mounted.

“Leave that man alone, demons!” I heard from afar. I gazed to the location from where the voice came, the patio of the coffee house. “I say, go!” My three foes hastily scattered and I saw T.S. Eliot approaching me.

“My inspiration!” I cried. “My reason for putting myself through years of mental torture and a life of poverty! Thank you and God bless you for saving me! Could you please help me find my way back to my car?”

“The road back to your car is long and perilous, but I shall be your guide. Follow me at once and do not look over your shoulder, for danger follows us at all times and you must not have fear. You must trust me to guide you.”

“Mr. Eliot, I have trusted you all these years to be my guide and I shall not falter now. Show me the way back to my car.”

“Very well, young one. Follow me into this storefront and remember: have no fear.”

We entered the building. It was long and narrow. Fluorescent light shone down, causing all inside to glow as if afflicted with some sort of skin disease. The inhabitants sat meekly, staring at their feet and moaning almost inaudibly due to the cacophony coming from the walls of the room. On one side were machines that made the sound of hissing and swishing water. On the other, built into the wall, were machines that roared and spun clothing in a circle. The place smelled of bleach and soap and lost souls, who gathered in the center around long Formica tables.

“What is this place, oh great master?” I inquired.PL1.jpg

“This is the place of French intellectuals who spent their lives intentionally misleading and confusing gullible American academics,” replied my mentor.

I looked about me. “Why yes,” I said, “I believe I recognize Jacques Derrida!"!” I approached the dapper Frenchman. “Good day to you, sir! I well remember your tortured sentences from years ago, which made me tremble and chain-smoke at their very thought!”

Derrida stared blankly at the machine on the wall, muttering

Thus it has always been thought that the center, which is by definition unique, constituted that very thing within a structure which governs the structure, while escaping structurality. This is why classical thought concerning structure could say that the center is, paradoxically, within the structure and outside it. The center is at the center of the totality, and yet, since the center does not belong to the totality (is not part of the totality), the totality has its center elsewhere. The center is not the center.

I shoved him violently, but he did not notice. “I do not fear you anymore, you sniveling weasel, you pretentious bore! Fie! I shall look upon you no more! I see someone else with whom I wish to speak.” I walked up to the bald and bespectacled man. He was staring at the machine in front of him, much in the way of Derrida. “What say you Michel, you whose students are so infuriating and stubborn!”

Foucault rocked back and forth, wailing

We are talking about two things here: the gaze and interiorisation. And isn’t it basically the problem of the cost of power? In reality power is only exercised at a cost. Obviously, there is an economic cost, and Bentham talks about this. How many overseers will the Panopticon need? How much will the machine then cost to run? But there is also a specifically political cost. If you are too violent, you risk provoking revolts…In contrast to that you have the system of surveillance, which on the contrary involves very little expense. There is no need for arms, physical violence, material constraints. Just a gaze. An inspecting gaze, a gaze which each individual under its weight will end by interiorisation to the point that he is his own overseer, each individual thus exercizing this surveillance over, and against, himself. A superb formula: power exercised continuously and for what turns out to be minimal cost.

“I shall no longer be a slave to your paranoia!” I responded, but this time much less violently. I had begun to feel pity for these men, standing eternally in this room, watching clothing turn in endless circles as punishment for their circular and self-referential logic. I then saw a third and walked over to him. “Jacques, your horrible prose once made me laugh so suddenly that my classmates thought I was reading some sort of comedy when I should have been reading along with the lecture. What have you to say for yourself?”

Lacan babbled

plague_burial.jpg Many people talk nowadays about messages everywhere, inside the organism a hormone is a message, a beam of light to obtain teleguidance to a plane or from a satellite is a message, and so on; but the message in language is absolutely different. The message. our message, in all cases comes from the Other by which I understand “from the place of the Other.” It certainly is not the common other, the other with a lower-case o, and this is why I have given a capital O as the initial letter to the Other of whom I am now speaking. Since in this case, here in Baltimore, it would seam that the Other is naturally English-speaking, it would really be doing myself violence to speak French. But the question that this person raised, that it would perhaps be difficult and even a little ridiculous for me to speak English, is an important argument and I also know that there are many French-speaking people present that do not understand English at all; for these my choice of English would be a security, but perhaps I would not wish them to be so secure and in this case I shall speak a little French as well.

I walked away. There was nothing left for me to do. The emperors now appeared to me to be totally naked and I feared their terrible wrath and terrible writing no more. I stepped back to my master and asked, “Will you show me the way to my car now?”

“Perhaps,” he replied.


Philbrick eventually found his car and didn't think about it anymore.


Secular Monk Archives

March 8, 2007

A Fake Response to a Real Email

popeye4sm.gif Dear K___,

First of all, let me just mention one thing that may have led you astray in my last email. You may have gotten the impression that I have a girlfriend here, which is not necessarily true. I actually have three, one for every day off. Now, I know what you might be thinking at this point: “That stodgy old conservative Philbrick? Three girlfriends? That’s just not like him!” Well, K___, you would have been right a year or two ago, but things have changed. You know that old saying about how a man goes to California to reinvent himself? Well, I didn’t know that that applied just as well to people from California, and certainly not when I just moved a few counties away from L.A. But, well, the proof is there. I am now a college town man-slut, which is, I think, an overall improvement.

I’m sorry to hear that you miss our conversations about books and stuff. I can’t say the same, because I have to talk about books all the time and sometimes that gets to be a bit tiring. Besides, it’s not like there aren’t other nerdy guys who would be perfectly happy to talk with you about books. They’re my friends. You know them. Just get within ten feet or so and say “Joyce” or “Yeats” and you’ll be in for an earful. Even when they’re sober.

Anyway, as you may have gathered, I am enjoying school and it’s frankly too bad that you are not. Is school really so bad, though, that you had to drop all of your classes? You say that you feel old and that you haven’t accomplished anything. First of all, if you feel old now, just wait until you have to take all those classes again when you’re a year older. That’s the bad news. The good news is that you are only twenty-five and in my experience I didn’t get hit with the “old” label until twenty-six. Moreover, at twenty-eight I can tell you that things don’t change much unless…well, unless things change. By the way, don’t worry. I know you’re not saying that I’m old, just that you feel old. Well, look at it this way: the way you write “u” instead of “you,” “r” instead of “are” and “ur” instead of “you’re” (or “your”) tells me that even if you feel old at heart, you are certainly not old in mind.

Smurf.jpg Perhaps part of the reason you feel so old is that your boyfriend is barely old enough to walk through a casino in Vegas. I know, I know. When you got together you were attracted to his Perry Farrell wannabe charms and the fact that he is in a band, and it might have even been appealing at first when he left you those embarrassingly heartfelt declarations of undying love all over every online forum, but now you are both showing your ages, or at least the difference therein. Well, we all make choices in life. Not that I am completely unsympathetic toward the guy. I only see a bit of it when you email me at two in the morning, probably drunk, but this poor wretch bears full witness to the hornet-infested viper’s nest behind your heavily pierced (and certainly not unpleasing) façade. I can only imagine what it must be like for him to try to console you as you lay curled up in the fetal position and weeping while his balls resemble those of a Smurf. Then again, maybe all this is for the better. You caught him at an early age. An older guy would have run for the hills somewhere between the first manic and the first depressive.

Finally, sure, if you want to head out here for lunch some time feel free to give me a ring. Buffy and Tiffany are not particularly jealous, and if Amy complains I’ll tell her that we’re “just friends.” Those were, after all, your words.

Best,

P-brick


Philbrick was too busy with the ladies to actually send the email.


Archives

March 1, 2007

We Read This In Order That You May Hate Yourself

A Polish friend of mine once told me that the difference between Polish anthems and American anthems was that American anthems are always about pride and how great America is while Polish anthems are about how you should feel guilty because someone died. I don’t know any Polish national anthems, but I wouldn’t be surprised if my friend was right. That being said, I don’t know much about Polish books, but American literature as taught in universities has the exact same problem as those Polish national anthems: it’s so goddamn depressing.Mark_Twain_20.jpg

I stopped studying American lit for precisely this reason. Almost every book or poem I’ve been assigned in the field of American literature is all about how miserable one should feel about being American or what a miserable place the United States is. Turn around at any point in the American canon and you will find some bozo going on about the “dark side of the American dream.” It’s everywhere. Pick up Steinbeck, Hemingway, Faulkner, Fitzgerald, all they ever offer is tragedy after tragedy. It isn’t that all American literature is depressing, it’s just that professors and other folks in the establishment at some point decided that Americans should all feel bad about being American.

Even on rare occasions when an actual comedy like The Adventures of Huckleberry Finn finds its way onto a classroom syllabus, professors have this amazing knack for yanking all the humor out of it. Two weeks ago I had to sit through an absolutely excruciating reading of the novel, in which one of the funniest scenes, where Huck’s father comes back to the cabin drunk and ranting about how the country was going to hell because black men (not his words) in some states had the right to vote. He rants and raves about this before falling flat on his ass.hemingway2.JPG It’s a damn funny scene and the ironic pitch of just what a jackass the character is is perfect. The professor who read the passage, though, read it in a completely flat voice, skipping over every mention of the “n-word” like we were all a bunch of impressionable youths (even though we all had the book right in front of us) and treating the whole passage as if it had absolutely no comic intent. The message is clear: if the book is not a stinging indictment of American society that is so obvious it feels like being beaten with a phone book, it is not worth consideration in the academy. And we don’t want no stinking humor.

I am well aware that this country has a violent history, but what country doesn’t have a violent history? What country has absolutely nothing to be ashamed of? The English sat their pasty asses across half of the world and they’re still allowed to have humor. We still read Evelyn Waugh and Kingsley Amis in British lit classes, and those two didn’t even try to hide the fact that they were both racist and sexist.Faulkner10.jpg

This is why I study ye oldy moldy English. If some author wrote something sexist or racist or, God forbid, funny four hundred years ago, no one in his right mind would complain. “That’s sexist/racist/colonialist/chauvinistic/humanist!” “Yeah, and?”

The point is that if I really want to loathe someone or something, the last thing I want to loathe is myself. I have to live with myself after all and I was born in this country, not some festering hellhole, and there are so many other things out there to dislike. Like Charlotte Bronte…Oh, do I ever hate Charlotte Bronte.




Philbrick will feel better once he gets away from all those teachers.


Archives

February 22, 2007

You Win Guys. The War Is Over.

Just kidding.

Goobers.jpgThursday afternoon the tranquility of my stucco tower was interrupted by a war protest. Apparently, from what I have gathered, somewhere between seven hundred and one thousand people held a protest at the university along with a general strike. I only witnessed the very end of the thing, arriving on campus to attend a lecture on an eight hundred year old manuscript (yep, my life is that interesting,) so all I saw was a bunch of people wandering across the quad, some holding signs. I found out soon after that the protesters had blocked off part of the highway leading to the school, where CHP and local police in riot gear greeted them. Two people were arrested for crossing police lines; a former student and a professor of Women’s Studies (make of that what you will.)

Thankfully, neither the protestors nor the cops wanted a reenactment of Kent State, so the protesters wandered back to the administrative building and made a bunch of noise until one of the chancellors came out and promised to help get the two arrestees out of jail. The bloated and putrid irony of appealing to the very authority they had just tried to subvert once some of them were held accountable for their actions was lost on this group of malcontents, but the two were later released without charge. I guess that means that they succeeded in doing something, even if it was totally unnecessary. All in all, it was a peaceful demonstration. I noticed that at the very university where they burned down the Bank of America in 1970, students were lined up at the B of A ATM to get cash, most likely for pizza and beer. Everyone left feeling good about themselves, and that’s what’s really important, right?

Goobers2.jpgAnyway, I originally had two other titles for this piece: “No Thanks Guys, I Already Have a Girlfriend” and “Anatomy of a Protest.” The first alternate title will become clear once I explain the second. As I sat and ate an early dinner I watched the group mill about and created within my fevered imagination a portrait of exactly who these protesters were. The following is totally unscientific, uses no statistics, detailed observations, interviews, or media reports. It’s just a guess, really, and perhaps not even a very educated one, but that’s why I write on the internet. So, without further ado, here is my anatomy of a protest.

Activists and Organizers. If I am very liberal with the reported turnout and allow that one thousand people showed up, I would guess that this group made up between seventy-five and one hundred of the people in attendance. About half probably have some affiliation with the university, while the rest come from the surrounding community or one of the other two colleges in the area. These are members of your local Stop All War and End All Poverty and Destroy Capitalism and Give Me Free Coffee collective. They’re energetic and good at putting up flyers all over the place as well as maintaining websites. They also have expendable cash that’s not going toward beer or pizza, though it’s still coming from Mom and Dad for the most part. These are the true optimists of the gang, and I’ll give them some credit for actually caring about what they’re doing. The two mistakes this group usually make are overestimating the numbers of those in attendance and actually thinking that the others in attendance care as much as they do.

Goobers3.jpgOld Hippies. “Man, this is nothing like the sixties, man…” Probably between fifty and seventy-five in attendance would be my estimate. There are two kinds of people in this world who love college so much that they never leave. The first kind become professors and the second are the hippies who live on some convoluted form of disability and stay in the college town for the rest of their lives, hanging around and looking stupid. These are the failed Ginsbergs and Abbie Hoffmans of the world who are so fried on drugs that they continue to bask in the false sense of their own relevance. I’m not too familiar with the East Coast, but in California the perfect places to see this specimen of humanity are Venice Beach and Berkeley. A few live in my town as well.

High School Students.
I would put it at about one-fifty to two hundred, though they probably missed most of the action by the time class let out. That is, unless they have an English or Social Studies teacher who gave them credit to go to this little rally, but I doubt that the local school board would be that generous. This segment probably left the protest massively pissed that they arrived just as the highway reopened and had to settle for a few half-hearted chants after paying bus fare and expecting to take part in something they thought would be meaningful.

The Creepy Fringe.
“What? There’s a war? Free Mumia!” Eh, fifty tops.

Signs.jpgSingle Men. They’re horny as hell and they’re not gonna take it any more. Sure, they’re also against war and injustice and all that, but first things first. The single guy goes to these things to meet single girls for free. He has had no luck in the bar scene, club scene or beach scene (due to the heartbreak of psoriasis,) so this is his one chance to show that he’s into really important things by dressing up in protest gear and trying to make more noise than all of those other single guys. I’d place the number of guys doing the protest mating dance at around two hundred to two-fifty.

Single Women.
As any sociologist can tell you, women travel in groups. I would be the first to say that this is not unwise, but it makes life difficult for the single protest guy. The same group of three or more women that the protest guy can’t approach in a bar are no more approachable at a protest. I call this the Preemptive Antiwar Cock Bloc. While the intention is probably to fend off old hippies, it really only discourages the young men. Old hippies have no shame. Statistically, the numbers are probably equal to those of the single men.

Protest Couples. Biff: “Hey, this thing is free and we get to skip class. I could show off my passion for social causes and totally get laid tonight for nothing, and I’ll bet Tiffany wouldn’t bug me about playing GTA for the rest of the week.” Tiffany: “Wow, Biff is so passionate about social causes. What a turn on!” Biff and Tiffany go to the protest and later have wild monkey sex. Since this is the final group I’ll let them take up the slack on my math. I can’t come up with any other mean-spirited stereotypes and frankly I’m tired of thinking about it.

Sir Philbrick has a good time when he can work "wild monkey sex", "mean spirited stereotypes" and the burning of a financial institution into the same piece. Archives

February 15, 2007

Purloined Letters Part II

Once again, I have nothing new for this week’s column and presentations coming up, so I headed back and mined the old Myspace blog just to have something to post. The first installment of the series can be found here. These are the last of M.’s writings to his old friend before he died tragically at the hands of angry Korean transvestites on Hollywood Boulevard. Unless, of course, I’m wrong.

SM

January 20, 2006

Forster.jpgGreetings once again, dear friend. As you know, I have once again joined the "world of e-mails and passive aggression," as E.M. Forster so aptly put it. After the pleasant solitude of this last weekend (disrupted by Aunties antics,) this world is most trying. Last night a gaggle of women brought their screaming, bawling brats into my workplace just as I had taken my break and was outside reading my beloved John Milton. As you can well imagine, attempting to read poetry with screeching humanoid offspring in the background is rather difficult, and retiring to the break room offered no relief, as I could still hear the row. Most aggravating, I must say, especially since it occurred during the only ten minutes of peace upon which I normally can rely. I spent the rest of the night in the office, annoyed but not particularly anxious to return to my living quarters, for reasons that I will further outline.

Yesterday morning, I happened upon a most startling discovery. It seems that someone has been reading my correspondence to you when I have been away from my writing table. The evidence for this came in the form of a scrawled letter left on my table, written in what I at first believed to be blood, but thankfully turned out to be nothing more than John_Milton.jpgchocolate milk. I first suspected that it was Auntie, but she is still passed out from the other night's dreadful episode. I then thought that possibly the ignorant popinjay who lives next door may have broken into the house for no other reason than to cause mischief. However, all the entrances to the house were locked from the inside.

As my mind raced through the short list of possible suspects, I heard a slight clatter from the attic. I quite naturally thought that the noise was caused by rats, so I retrieved a ladder and some very non-humane traps with which to catch the little pests. Upon entering the attic, I was most shocked at my discovery and at the same time found out the identity of the culprit, for there, kneeling next to a grimy cot and in front of a dusty chest, was a young woman who I almost instantly recognized as my long lost cousin S.

This was indeed a most shocking discovery, as I had not seen S. in almost twenty years. Indeed, Auntie had long ago told the family that S. had died in a tragic food fight gone awry, but it appears that instead S. had at some point gone quite mad and Auntie had shut her away in the attic, feeding her only water and leftover olives from her martinis. (If all of this sounds like something out of a bad nineteenth century novel, I can only assure you that truth is sometimes at least as strange as fiction.) So, to add to my cares, I must now watch the doings of S. as well as monitor Auntie. I shall in the future surely lock the door to my bedroom.

Sincerest regards,

M.

M. Goes to a Party

January 28, 2006

Oh, dear friend, how trying these times can be. Last night, a friend of mine found himself in a bit of a pinch and required something called a "deejay" for a party he was holding. As you may well remember, back in my days in the Oh So Secret Society I used to throw Welk.jpgquite excellent soirees, so I thought that this request was not too difficult to meet. Besides, my continuing difficulties with S. and Auntie have made life as a willful recluse more of a bother than it is really worth. (In answer to your question, Auntie finally did wake up, though she does not remember that nights events and demurred when I inquired about her reference to Pericles. Let it be said that I am still a bit suspicious.)

Anyway, I accepted the request and dusted off my trusty gramophone and my Lawrence Welk 78s along with some jazz to "spice things up" as they say. You know that I cannot stand the dreadful noise that these jazz "musicians" produce, but I am sensitive to the changing times I realize that to entertain a crowd nowadays one must at least attempt to keep up with current fashions. However, on the whole I made every attempt to keep the evening’s musical entertainment as tasteful as possible, in order to not offend any ladies that might be present. One must be ever so sensitive regarding these things, as you so well understand.

I dutifully brought my gramophone and record collection to the home where this party was being held, and was immediately horrified at the degenerate state of the event. First of all, these young folks were swilling some awful beer called “Bud Light” from cans. Cans, friend! You know full well that I have no churlish objection to a fine ale now and then, but these rowdy youths were making quite a scene. I have never seen such
meanness of dress and behavior or heard such foul language in my (admittedly short) life. Well, I decided to keep a stiff upper lip and perform my duties as a "deejay," even if I thought the scene atrocious. It is, after all, a man's duty to keep his promises. Sensing photo02-gramophone.jpgimmediately that this audience would not appreciate the fine music of Mr. Welk, I placed a jazz album onto the gramophone and resigned myself to a dismal evening.

My friend, things only got worse from that point, the beginning of a complete downturn of events. This group of ragamuffins hooted and catcalled the moment I began playing records, demanding to hear some person named "M&M" or "J.Z." I was then pelted with half-empty beer cans and assaulted with epithets that I would not dare to write down on paper, lest I should be associated with these disorderly creatures. Then, a group of these thugs grabbed me, summarily dragged me into the lavatory and dunked my head into the toilet. My gramophone and Lawrence Welk albums were destroyed in the fracas.

This morning, the host of the party telephoned and apologized profusely, saying that the youth these days expected to hear some new form of music called "rock and roll" and "hip hop" (two revolting phrases, I think you would agree) and that they listened to them on something called a "seedy." Seedy, no doubt. Once again, I must lament the tastelessness and ugliness of our modern society, which has apparently spread even to the fairer sex, who were dressed last night in clothing that I find too repugnant to describe. Suddenly, S. and Auntie do not seem such bad company.

Will my sorrows ever cease?

M.

Sir Philbrick should know better than to taunt Korean transvestites. Archives

February 8, 2007

Four Eighties Bands That I Will Never Get to See

This may be in some ways similar to last week’s column, but this time around the method (as well as the decade) is a bit more refined. I knew what I would write about yesterday and had some examples at hand, but as I waited for the bus this morning the idea kind of morphed. This column is about bands primarily associated with the eighties who broke up in either the eighties or nineties, but as I compiled the list another common element appeared: each band on the list suffered from the horror known as a difficult lead singer. Once again, I really can’t stand the idea of reunion tours, so I probably would not see any of these groups even if they did reform. However, the antics or personalities of each band’s singer makes it unlikely that any sort of reunion is likely to come about. Since I am a rigorous researcher, all facts and quotes can be attributed either to Wikipedia or my own foggy memory.

galaxie.jpg1. Dean Wareham and Galaxie 500 - I should start the list with the least offensive of the bunch. In 1991 Dean Wareham left Galaxie 500 right at the end of a tour where the band opened for the Cocteau Twins. He just sort of left his two college buddies in the dust at the prospect of forming Luna and achieving Elektra status. Naomi Yang and Damon Krukowski, the bass player and drummer respectively, eventually started playing again, appropriately enough as “Damon and Naomi” and now Dean Wareham plays in Dean & Britta after Luna’s split-up. The details on Galaxie 500's split are a bit fuzzy, but the fact that the three haven’t gotten back together while the rhythm section has formed their own group and continues to play is somewhat telling.

HuskerDu.jpg2. Bob Mould, Grant Hart and Husker Du - I read an interview with Sugar years ago in Rolling Stone and I remember one of the members saying that Bob Mould needed a lot of “personal space.” There was also a sort of tone to the whole article that suggested that Sugar was really nothing more than the Bob Mould Band. Thus, I had always assumed that Mould was the difficult member of Husker Du and the reason the band broke up. Thanks to Wikipedia, I now know that I was only half right. Bob Mould was a pain in the ass, as well as a speed and alcohol abuser, but it turns out that Grant Hart was also a junkie. This lead to “creative and personal tensions,” which is always a nice way of saying that the two were at each others’ throats. The band collapsed after their manager committed suicide and Mould became the de facto manager. Bass player Greg Norton, clearly the most sensible member of the group, now owns a restaurant with his wife. This entry alone pretty much destroys my introductory paragraph, but thankfully I really don’t care. I mean, technically they both sang, so I guess I could say that in this case the singers broke up the band.

Pogues.jpg3. Shane MacGowan and The Pogues - This is not technically fair, since The Pogues didn’t actually break up until 1996, but I needed to throw in another band to make it five. Also, in my opinion, The Pogues were over by 1989, the year that Peace and Love came out. That particular album had, if memory serves me correctly, exactly two songs with Shane MacGowan on lead vocals. And his singing was terrible. It sounded like someone torturing a bullfrog, even though the songs themselves were quite good. The irony of The Pogues is that the better the band learned to play the worse their original singer sounded until they finally got rid of him. Still, no matter how much they improved musically, they were never the same without him. (Addendum: apparently MacGowan did reunite with The Pogues in 2006. The above comments still stand.)

Morrissey_smiths1.jpg4. Morrissey and The Smiths - Wikipedia once again cites “personal differences” between Morrissey and Johnny Marr as the reason for the breakup of The Smiths, but this time I call bullshit. Can you honestly imagine what it must be like working in a creative capacity with Morrissey? Can you imagine doing a high school chemistry project with Morrissey? Can you even imagine having dinner with Morrissey? “Please make sure there’s no beef broth in the soup, because that’s muuuuuuuurderrrrr...” It seems as though the other members of The Smiths have managed to work well with others in subsequent years. Johnny Marr even managed to work with Neil Tennant of The Pet Shop Boys, and I’ll bet Tennant’s not exactly an easy fellow to get along with. Morrissey continues to do solo work and it’s gone steadily downhill since Viva Hate, which really wasn’t all that good to begin with. Here’s a quote from Morrissey when two of his former bandmates took him to court: “The court case was a potted history of the life of The Smiths. Mike, talking constantly and saying nothing. Andy, unable to remember his own name. Johnny, trying to please everyone and consequently pleasing no one. And Morrissey under the scorching spotlight in the dock, being drilled. ‘How dare you be successful?’ ‘How dare you move on?’ To me, The Smiths were a beautiful thing and Johnny left it, and Mike has destroyed it.” Can you blame Johnny Marr for getting away from that?

Who am I missing?


Sir Philbrick is waiting for the Shane MacGowan, Dean Wareham and Morrissey supergroup... Just to watch it spontaneously combust. Archives

February 1, 2007

Talkin’ ‘Bout My Generation

So it’s Seventies Week at Faster Than the World and I was once again at a loss as to what to write about this morning until I checked the site. I couldn’t tell you much about the seventies from personal memory. I was alive late in the decade, but not very aware of anything other than mealtimes and other such important things to very small children. However, while thinking about what I would write about I found a big sore spot that I have had toward the sixties, seventies and eighties for some few years: my generation’s music and the fact that I was born just a tad bit too late to really see the stuff I actually like happen in front of me.

Johnny_Thunders.jpgMy dad’s a pretty big music freak, so I got a good dose of the avant-garde from an early age. He had records by Love, The Mothers of Invention and H.P. Lovecraft, just to name three. Along with that were the more mainstream acts that I still like such as Bob Dylan, The Who and The Rolling Stones. This is a pretty good foundation for a young music lover and a budding (self-described) rebel in my arrogant opinion. Since I had no older siblings, I had to rely for a few years on the music that pissed off my dad’s parents before I could find some that would irritate him.

In junior high I discovered rap and that did the job for a while, specifically NWA and Ice-T. I don’t know to this day if I ever even really liked the stuff, but I do know that I had to smuggle it in under the radar since my parents didn’t let me buy albums with Tipper stickers. Even if the fruit is really crap it tasted pretty sweet when it’s forbidden. Once the ban was lifted I moved on to Jane’s Addiction and the Red Hot Chili Peppers, but I was still in junior high and at this point both groups had become more or less mainstream. Suddenly, there was real music that I liked, but I couldn’t see them live because I had no money and there was no way my parents would take me to Lollapalooza. After that, there was no more Jane’s Addiction and every Red Hot Chili Peppers album seemed to be about Anthony Kiedis once being a heroin addict. No thanks.

Nirvana broke out about the same time and I just didn’t like them. They had a few good songs, but it just wasn’t my thing. I guess I like them now, but I didn’t get all worked up shane_macgowan.jpgwhen Cobain killed himself. Just another dead rock star. Unfortunately, he had become in the span of his career the “Voice of a Generation,” meaning the voice of middle-class white kids in a certain age demographic which just happened to correspond with mine. What gives? I never asked for some self-indulgent hippie to speak for me. I was angry, not depressed. And certainly not suicidal.

Anyway, about this time a friend of mine with a brother who was twenty-one (and therefore God) gave me Group Sex by the Circle Jerks and Never Mind the Bollocks by the Sex Pistols. I was sixteen and that day was probably the beginning of my scorn for my generation and the feeling that I had somehow been born at just the wrong time.

Twelve years later, it seems like every band I have come to really like is either broken up, doing a reunion tour or just plain too old to draw my attention. The Pogues are not The
Pogues without Shane MacGowan, and Shane MacGowan can no longer sing. Galaxie 500 broke up in 1991 and it’s probably only due to the internet that I even know who they steve_jones.jpgare. The Patti Smith Group released their last album the year I was born. The Replacements turned into Paul Westerberg sucking solo. Ditto with The Smiths and Morrissey.

Then there are the reunions, or the “now that we’re actually popular let’s get back together for a month” tours. Forget it. The last thing I want to see is Mission of Burma playing “Academy Fight Song” twenty-five freaking years after they wrote the damn thing. I won’t even get into the Sex Pistols debacle. Sorry, but punk bands just do not mature well. The only one that I heartily endorsed was the Dead Kennedys reunion and that was only because it pissed off Jello Biafra. He deserves it.

Here’s something really depressing. The best rock station in LA., Indie 103, has a weekly program called “Complete Control” where they play two hours of punk from across the last thirty years. For about a year I visited my grandparents every week for dinner and would listen to “Complete Control” on the way home, and it seemed like every week they had Keith Morris hanging around in the lobby and waiting to be let into the studio. That’s right. The great Keith Morris, my introduction to the world of punk, has nothing better to do than hang around in a radio station’s lobby. Every week it seemed he would drone on about the eighties LA scene in this burned out San Fernando Valley dialect. Sad.

While there are some groups who are currently producing music that I actually like, such as Built to Spill and The Decemberists, neither one inspires me to pack up the car and drive to LA or San Francisco just to see them play. I guess I’ll have to be content with CDs. And the next “Voice of a Generation” gets punched.


Sir Philbrick has has been hailed as the "Voice of a Generation" by at least one incredibly popular online magazine. Archives

January 25, 2007

Student Government ?

I don’t understand the self-importance of my fellow college students. It’s partly because I went back to finish undergrad work at the age of twenty-five after years of messing around, so the idea of protesting this or that issue of the day seemed like a dumb waste of time. Also, whatever they were whining about either seemed pretty unimportant or I disagreed with the aims of their protests. Add to that a healthy fear of stupid people in large groups and you get a pretty apathetic student. Don’t get me wrong: I have opinions and, well, I’m opinionated about them, but I’m not suffering under the delusion that I can actually cause huge changes either within the university or outside of it without a substantial bankroll.

Girl_with_Dunce_Cap.jpgIn the grand scheme of things, the world does not really need college students, and I daresay that the last thing the world needs is more college students, especially humanities students like me. We need people to take out the trash, stock groceries, run global corporations, create wonder drugs, etc., but the market is showing that there are too many people out there who majored in Urban Hip-Hop Studies or Global Peace and Happiness. The only things you can do with degrees like that are activism or finish grad school to become a professor and add another layer to the Ponzi scheme.

The point is to look at the situation this way: If you are an undergraduate, you are paying money to sit in a crowded lecture hall, write papers and take tests. If you are a graduate student, you are paying to be an indentured servant. Some people call school a job, but if you have to pay in order to do your job what does that say about your job? You are as replaceable as a thumbtack.

Now, I like my “job.” If I do it correctly I will have that rare opportunity of not only pushing adolescence well into my thirties but I can also maintain the façade that doing so is somehow respectable. You know, pretend like it’s some sort of sacrifice while really praying the whole time that the Boomers will all magically retire in the next five years and I’ll get a cushy position in some university and never have to do the nine to five thing ever again. But I will never be under the impression that being a student somehow makes me important.

This is all just a bunch of background. The real target of this little rant is what must be the ultimate pinnacle of college vanity and folly, namely student government. Student government in high school is an excusable bit of frivolity, since it really is nothing more than a popularity contest and everyone knows it. Student government in college, though, has a special layer of stupid that I find far less forgivable. If college is meant to prepare a person for a future career, then student government can only function as a means to create future bureaucrats. What makes this especially silly is that many real government jobs require no experience at the entry level and offer career level promotions within the time it takes to earn a degree. I’ve been there. I know.

British_House_of_Commons_1834.jpgRecently at my school, the student council did something so utterly frivolous and moronic that it almost seemed like a Dada-type joke. Last year, a company decided to renovate some housing near the campus to create student housing. This jacked up the rent on what had been low-income housing and a bunch of people were evicted. The student council passed a resolution (I hate that word) to pull funding from any entity that did business with this company. First off, in their rush to do the politically correct thing, the council failed to notice the irony of the situation: the housing was renovated for student living. The students are the ones demanding more and raising rent prices. For God’s sake, it’s a freaking college town. Students are the very reason that this particular neighborhood exists and the company was catering to them. Well, at least this boosted the council’s self-esteem, which we all know is far more important than anything else, like, say, advocating development which would lower housing prices overall. No, we wouldn’t want to build more houses. There’s a rare species of dung beetle in that undeveloped area and we wouldn’t want to disturb its natural habitat and cause a nuclear winter or something.

The student newspaper (which is also silly, but at least entertaining) then offended the little gods of the student government by letting the development company run an ad in the paper. An ad for student housing. In a school newspaper. The clowns in the student council are now threatening to pull funding from the paper. The newspaper is bringing up the typical freedom of association argument while a particular member of the council compared the ad to Nazis advertising for genocide, thereby achieving the perfect mix of a stupid and offensive analogy and trivialization of the Holocaust. I suppose you can tell whose side I am on.

As for the low income families, they all live in my neighborhood now. If it’s good enough for me, they’ll survive.


Philbrick plans to push his adolescence as far as he can. Archives

January 17, 2007

Purloined Letters

[Lacking time, inspiration and running water at the moment, I’m going to use two old Myspace posts for this week’s column. I was always fond of M., but the series never reached its logical conclusion where M. is mauled by a bear on Mulholland Drive. Being semi-autobiographical, though, it lends some explanation to the phrase “Secular Monk.”]

The Solitude of Young M.

January 15, 2006

monk-at-workwl.jpgGreetings and warmest salutations, dear friend. Although it saddens me to be apart from my loved ones, I do so value solitude and the repose that my current situation affords. The comfort of my small office and computer with the blinds drawn leaves me without an unpleasant view of the garden and nature outside of the window. I read in peace and listen to music, and all seems well with the world for the present. Auntie fritters about to and fro, playing her abominable bingo games on the Internet, but we have a quite pleasant relationship, as we see very little of each other. The situation is altogether agreeable.

I wish I could adequately describe the comfort and simple beauty of my office. Everything is plastic and Formica, save for the books stacked on a shelf which I peruse at my leisure. There is no other living thing in the office to disturb my peace, save for a large silver tabby cat which occasionally pokes into the room, meows, and leaves. Otherwise, there are no plants to water and therefore there is no need to let in any natural light. Auntie has difficulty mounting the stairs, so she is not a bother to my tranquility.

As you so well know, I find the bustle and buzz of the outside world dreadfully intolerable. This is what makes my present situation, and especially this quiet Thursday, so delightful. I have no duties to perform, no masks to wear and no necessary studying. Therefore, I can pace my day as I see fit. It is already almost one o’clock and I am still in my pajamas. If only every day could be this peaceful and utterly useless, I do so believe that I should never be bored or anxious, although I would certainly miss those few people whose company I enjoy.

In fact, aside from the lack of good company, the only thing that I regret is that two days from now I will once again have the necessity of joining the normal world once again, with its cares and commotions. In this great land of ours, a temperament that is both introverted and phlegmatic seems to be a cause for some sort of general suspicion, if not outright hostility. This is a world for those who are loud, who sell themselves well. Moreover, it is a world of unreserved emotion, the lack of which is also looked upon with some hostility. I am not one who “wears his heart on his sleeve,” as the cliché goes. My heart is behind my ribcage, where it belongs. After all, a heart on a sleeve is bound to be smashed, even if inadvertently.

This thought makes me a bit gloomy. Even when my heart is heavy, I can find a uniform to hide it. This is simply a matter of decorum, which is sadly lacking in this rather uncouth society of ours. I know that to live in this world one must follow its fashions, and hearts are worn all too openly. I suppose that I must content myself with being unfashionable.

Your friend and confidante,

M.

The Interrupted Happiness of M.

January 16, 2006

Greetings again, dear friend. Although I wrote yesterday that I would not be leaving my living quarters until Tuesday, my voluntary exile was most pleasantly interrupted by a phone call from an old chum from the Oh So Secret Society, of which we were senior members back at the U. We settled in a dimly lit café and reminisced for hours about our times sailing, rowing and beating new recruits mercilessly with paddles. It was an enjoyable exchange, and I left feeling that old youthful spark that I had thought was long gone. In short, it was a most pleasing afternoon, in spite of the dreadful weather and the even more dreadful service that the café offered.

martini-excalibur 1.jpgUnfortunately, my night concluded in a most distressing sequence of events. As I intimated in my last letter, Auntie has some trouble regarding movement, owing to arthritis or some such malady. Therefore, her doctor has prescribed her some form of painkiller or muscle relaxer, I am not entirely sure which. I had repeatedly warned Auntie not to mix these pills with her nightly martini, and though she told me she would take my advice, I think that either the martini or the pills at some point numbed her ordinarily good judgment, and she took the one with the other.

You can imagine my horror, then, upon waking at two in the morning to a dreadful din carrying on right above my head. After the fog of sleep quickly wore from my mind, I could make out someone screaming, “Play me like a lyre, Pericles you magnificent bastard!” I climbed out the bedroom window, and sure enough, it was Auntie on the roof holding her martini in one hand and the silver tabby by the tail in the other hand. (Incidentally, Auntie has never disclosed her real age, but this incident makes me think she may be much older than I had initially estimated.)

How Auntie got up on the roof I perhaps will never know. I got her down by tying a rope around her waist and lowering her down the chimney. She is rather thin. Much to my chagrin, her outburst had awaken the neighbors, who were prepared to call the authorities until I convinced them that Auntie had simply had a bad reaction to some spoilt bratwurst, and that no intervention was necessary. At this moment, Auntie is still passed out on the living room couch. The cat has yet to be found.

So, what I thought would be a pleasant and quiet weekend has turned out rather badly, I am sorry to report. From now on, I must monitor Auntie more closely, and the dreadful specter of work looms in front of me. Please send my regards to your family, who I hope are faring better than mine.

I remain,

M.


Philbrick has since left his aunt for even quieter pastures. Archives

January 11, 2007

Never Say Never

The grad school life is a lonely and often boring one punctuated with moments of panic and anxiety. It is unlike the regular college scene, where young singles abound and beer kegs are around every corner. Rather, it is a grey area between student life and professional life and your peers are a bit older than they would have been in an earlier educational incarnation. They enter the environment with (seemingly) more ordered lives: they are often married, engaged or living with a significant other, and sometimes have children. This is a matter of extreme frustration to the straggling few of us who are unconnected and living in a new town and one in which I find myself now. On one hand, popeyeolive_1.gifI’d rather not date anyone in the same department because that could cause major drama. On the other, I am too old to date anyone who is either not old enough to drink or not old enough to know when not to drink. This makes the college pretty much off-limits for anything other than academic pursuits. The solution, then, lies with the townies.

A few days before the new year I found myself doing something that I swore over and over again I would never do, not in a million freaking years, not if my life depended on it, not if it was the last option on earth of meeting anyone...Well, you get it. That something is online dating.

It wasn’t exactly a New Year’s Resolution. I don’t make those. It was really more of a coincidence than anything else. I decided to be less afraid of public embarrassment (and hell, I’m telling everyone that reads this column, some of whom know me in real life) and rejection, and the online thing seemed like an easy option. After all, let’s face it: the worst thing that can happen in a bar, coffee shop or other venue is not that the girl in question might say “no.” The worst thing that could happen is that she will throw a drink in your face or her boyfriend will come out of the bathroom as you’re trying to chat the young lady up and proceed to beat the living hell out of you. I know, I tend to think in worst-case scenarios. Neither of these things has ever actually happened, but you know it could.

Everyone who uses an online dating service is there for a purpose, and it is not to make friends. I have friends, they probably have friends, so why shell out cash to make more friends? Dating online boils everything down to its essence. At the bottom of it all, everyone is looking for some sort of exchange of the more-than-friendly variety, and therefore no one really looks stupid. If I ask someone signed up on one of these sites to come check out my profile, she sure as hell can’t laugh at me for being there in the first place, now can she?

Popeye-a-date-to-skate.jpgOf course there are the worst case scenarios. She could be an axe murderess, her photograph may have gone through ten Photoshop filters before she posted it or she might be a hooker. This, of course, is no different than any other dating situation, though, and it’s why you always meet the person in public and in broad daylight a few times before even thinking about getting serious. Yes, I am a bit of a prude, but I still have both kidneys, thank you very much.

The problem with these little services, though, is that they put a person at the mercy of a computer. Computers are great tools but they are stupid. The computer that beat that one guy at chess is really no smarter than Forrest Gump. For example, Forrest Gump would not need to be told that there is more than one type of couch where he could sit his semi-retarded ass. By contrast, a computer only knows the difference between “couch” and “not couch.” A human being would have to program in variations on “couch” in order for the computer to recognize different couches as such. So it goes with online dating.

The computer could (you know, hypothetically) match me up statistically to a ninety-five percent compatibility rating with another person. The missing five percent is that this person would never date a smoker and I smoke a pack a day. Or that this person thinks popeyeolive_2.gif“open relationships” are fine while I would never go for such a thing. Or that this person wants a guy who pulls in over one hundred grand a year while my broke ass is living on frozen pizza and student loans. The computer is simply too stupid to know just how important these kinds of differences really are. Besides, even if the computer matches us up to one hundred percent (which I find statistically impossible, but I’m no math whiz,) who is to say that I want another version of myself anyway? One of me is more than this world really needs, and good lord I would probably strangle my own twin.

So after weeding out the nonsmokers and money grubbers on the first page of my future potential blushing brides, I emailed each with a more or less bland message that incorporated our shared interests. Basically I yelled out, “Hey, you, notice me!” to very little avail. My one hundred percenter and I exchanged a few messages before quickly becoming bored with one another. Finally I became so irritated that I went through the six or seven pages of possible matches, found someone that the computer ranked me as an eighty-three percent compatible with, and wrote out a nasty and sarcastic message about how stupid the computerized dating system was. She replied in kind, and yesterday we exchanged phone numbers.

To find out if she’s an axe murderer, check the LA Times later next week.

Philbrick always anticipates the worst case scenario and is sometimes pleasantly surprised. Except for that time he woke up in a bathtub full of ice... Archives

January 4, 2007

Part V: The Dilettante

Part V: The Dilettante

Thomas: Simon, you seem even more listless than normal today.

EmilyDickinson.jpgSimon: Thomas, I’m afraid it’s not me. You see, the author is writing this piece on New Year’s Day and is therefore somewhat hung over. That’s why it’s so cloudy outside and our parlor is in disarray.

Thomas: Oh, dear. Why did he not plan better?

Simon: Because he’s an idiot, Thomas. Pure and simple. We could have been having this conversation yesterday or the day before, but the author is always procrastinating and just came home from LA an hour ago with a headache and no shower. So where does that leave two poor fictional characters like ourselves? What is there to talk about when your very creator does not feel like typing?

Thomas: Well, there was that final category of American artist you wished to speak about - the dilettante, I think you called him.

Simon: Oh, yes, the dilettante. My dear Thomas, I do believe that I saved the best category for last.

Thomas: How odd for you, Simon. Well, how do you define this dilettante?

Simon: The dilettante is the least visible and therefore the most tolerable of artists. You probably would not know the dilettante if you saw him. He has a day job and makes little or no money producing his art, yet he keeps producing it without giving much thought to financial or other rewards. He is the man who dies comfortably at the age of ninety-three. When his relatives dig through his possessions, they find several novels, an attic full of paintings or reams of poetry that are not completely dreadful. Although it is rare, the dilettante’s work might wind up in a museum or anthology long after his death.

Wilfred-Owen.jpgThomas: Why does the dilettante do this? It seems like a lot of work for absolutely no reason.

Simon: Honestly, I could not tell you. The dilettante simply has some strange drive that forces him to create. I have no doubt that there are at least a few million dilettantes wandering around America alone. They write poetry but don’t torture others with it at coffee shops, post things on this “Internet” thing I’ve heard about with little chance of any attention, they paint, they draw cartoons in their notebooks, perhaps someone out there is even trying to attempt a piss-poor knockoff of an Oscar Wilde dialogue. They are out there, though, doing their thing and receiving little or nothing in return. Patti Smith once wrote that “this is the era where everybody creates.” Well, that was the seventies and Ms. Smith was a bit bitter. I would prefer to repeat that line as a celebration.

Thomas: So those are your five categories?

Simon: Yes. As with everything they are debatable, but I think I stand on solid ground. Having wrapped this up, the author now must create some new damn content by next week.

Fin


Philbrick firmly believes in a lot of work for absolutely no reason. Archives

December 28, 2006

Department Holiday Party

Graduate school is one of the murkier forms of one’s existence as a student. On one hand, we have teachers who assign papers and grades. On the other, we are technically part of the faculty. We call our professors by their first names, shake hands with them and attend parties at their houses. It’s a weird shift of power balance: grad students are the peers of the very professors who hold the scissors above our academic and professional fates.

FatherChristmastrial.jpgAs an undergraduate I never schmoozed because it was not important to actually get to know the professors. I turned my papers in on time, studied for exams and crossed my fingers when the grades were about to come in. Grad school is different. I have to be “collegial.” This is not the natural role for an introverted bookworm, but there are things we all have to do in life and I am slowly training myself to do them. Things like attending department functions. Or sitting through four hour lectures on eighteenth century novels that nobody told me to attend. And, finally, the holiday party, the subject of this festive week’s post.

I took the bus to campus and arrived twenty minutes before the beginning of the party, just enough time to have a cigarette and check my mailbox. The only thing in the box was the paper I had turned in a few days earlier with an attached sheet explaining my fairly low grade in the course. Now, the beauty of all this is that the very professor who gave me this grade was at that moment standing in the room where the party was about to start. He was talking to some of the other students from the class, who I later found out had not checked their papers yet. It is a strange position to know that in a moment you will have to talk to the person who found your work unsatisfactory and to have to pretend that neither of you know this. That’s what I did. I grabbed some very bad food and talked to him as if I had not even seen my grade. Thankfully, moments later he went off to join some other faculty and his students (myself included) formed a group and chatted about the class.

After pretending to be social for twenty minutes or so we were all ordered to take seats for some sort of ceremonial…thing. I tried to find a seat but wound up standing near the doorway because the seats were all taken. Now, I’m not gigantic, but I am six feet tall and very self-conscious, and being the only one standing in a packed room was very uncomfortable to say the least. Then it got worse. People began giving speeches and congratulating one another, each one talking for at least fifteen minutes while the room became hotter and hotter. I was the only person in the room standing and not speaking. I felt the sweat running down my nose.

Santaandgoat.gifHere’s the thing: I know full well that no one was paying any attention to me, but like I said I am very self-conscious, so even knowing that no one cared whether I sat or stood did nothing to help my mental state at that moment. I finally knelt down where I was standing just so no one could see me, and found out that I had been standing next to a trash can. So, I was sweating profusely and kneeling next to a trash can where people occasionally leaned over to dump their half-eaten food.

The moment the speeches ended I flew out the door and down the stairs, lighting a cigarette halfway through the exit. Being introverted requires constant exit strategies from social situations and in California the cigarette is the perfect way to grab a few moments away from the crowd. So I paced and smoked for five minutes before heading back into the fray. The cheap wine was flowing in the party room and I was immediately accosted by three of those “I smoke when I drink” people. I can handle small groups and I smoke really cheap cigarettes, so I decided that joining them for another outside retreat would be no problem.

After our cigarettes, we all went back and people went in search of their rides. We split into two groups, each going separate places for dinner before meeting for drinks later. Now, the other two people in my group were also newbies in the grad school scene, so we made a good little trio. There was one little problem, though. One of the guys had not eaten lunch and had drank a few too many glasses of cheap wine during the reception. We were standing right next to a group of professors when he began to rail on quite loudly about citing sources, saying things like, “Why do I have to use endnotes, it’s a fucking waste of time, it’s fucking busy work” and other such things. Not wanting to become guilty by association, I herded the other two out of the building before the one could make any more disparaging remarks about the Chicago Manual of Style.

We went out to a fake Italian restaurant for dinner where our drunken companion complained about chain restaurants, capitalism and Republicans (like me.) I decided that I did not want to be out until two in the morning so I went home early with the excuse that my grandmother was visiting the next day and I had to clean the apartment. I silently vowed that next year I would leave town early.

Philbrick is learning the social niceties of the collegiate circuit, but he's taking it one step at a time. Archives

December 21, 2006

Part IV: The Professional Artist

Wherein Simon explicates the existence, role and meaning of the professional artist in America.

Thomas: Good day, Simon. Those two weeks off were such a relief. I finally got the chance to leave this dreadful town and even finished all of my Christmas shopping. And how did you spend your vacation?

Simon: ... Dohertyphil1.jpg


Thomas: Simon, are you ignoring me?

Simon: ...

Thomas: Simon!

Simon: Oh, how do you do Thomas.

Thomas: Well, will you answer me? What did you do with your vacation time? Oh, how you exasperate me!

Simon: Why, Thomas, you have always been a hot-headed one. Calm yourself. As to what I did over my vacation time, you are looking at it. I stayed right here in the study with my books. I have absolutely no need for the outside world and I find others to be quite tedious. As for Christmas, I stopped observing it years ago and have never felt better. All that bustle and buzz is nothing more than a headache. After a few years my loved ones got the hint and I have never since had to celebrate during that rancid holiday season. Let others deck their halls. I shall stay indoors and read.

Thomas: I think that you are almost intolerable, Simon.

Simon: I think that I don’t really care. And if you find me so intolerable, as you say, why do you come back?

Thomas: Well, I for one like to check in on the well being of my friends. Also, though, the last time we spoke you hinted at something you wanted to tell me about something you call the professional artist.

Simon: Ah, yes, the professional artist. All hail this unsung and invisible backbone of the artistic world!

Thomas: I find your sarcasm irritating, Simon. Get on with it.

Simon: My dear Thomas, for once I can honestly say that I am not being sarcastic. The professional artist is a species of artist that I truly admire.

Thomas: What is your definition of this species of artist, Simon? Studiophil2.jpg

Simon: The professional artist, like a chef or some other kind of skilled laborer, goes out every day and performs his duties to bring home a paycheck. He is your studio musician, your man hired to paint a mural on an unsightly grey wall, your architect who is not quite famous enough to create a monstrosity, your interior decorator, etc. Simply put, the professional artist earns his living by working as just about any other average stiff does. He is not famous like the commercial artist and he is not stupidly elitist like the artiste. While the other two strike glamorous poses, the professional artist does his job almost anonymously. For this alone he should be commended.

Thomas: What exactly is the use of the professional artist? It sounds like a dull career.

Simon: And surely it is a dull career, but it is absolutely necessary for the world to have these unsung heroes. Imagine this, if you will: You are a singer in a somewhat famous rock and roll band and your guitarist one day decides to overdose on heroin when you are supposed to be recording. Or, for that matter, imagine that your guitarist not only overdosed on heroin but he could never really play the guitar all that well to begin with. In this situation, you call in the professional artist, the studio musician who lacks the glamor and needle tracks that would make him a successful commercial artist but who is actually competent with his instrument and knows how to read sheet music. He shows up on time, plays the music, drinks a moderate amount of beer, and goes on his way at the end of the day with his payment. The album comes out on time and Garbagehead the guitarist receives all the credit, in spite of the fact that Garbagehead was busy escaping rehab while your studio musician was doing all the grunt work. Libertinesphil4.jpg

Thomas: Why does one become a professional artist, do you think?

Simon: I cannot tell you for sure. There are probably as many reasons for becoming a professional artist as there are professional artists themselves. Some no doubt were aspiring commercial artists or artistes who either could not break into the fame cycle or who found themselves with too many responsibilities and too much common-sense to fit into the role of artiste. Others graduated with their degrees in some art form, became tired of working at coffee houses and decided to put their knowledge to practical use. Whatever the reason for an individual’s decision to become a professional artist, he should be praised. Which is why it is so difficult to expound on the subject, because I am much better at insulting than praising.

Thomas: Trust me Simon, I know.

If Philbrick can get his shit together, there will be a Part V, where Simon explicates the meaning, role and existence of the dilettante.

Philbrick seems to like studio musicians..or maybe he doesn't.

Archives

December 14, 2006

Five Classics I Hate

Simon and Thomas are on vacation this week because today (Sunday) I am celebrating the unofficial end of my first term as a grad student. Tomorrow it will be official when the papers are handed in, but as of today they have been written, proofed (badly) and printed. Once they are turned in and graded I will know for sure whether the last three months of boredom, anxiety, isolation, and sexual frustration have payed off or will give me the added benefit of academic humiliation.

Dickens.jpgFor the first time since Monday I left my block to put air in the tires and get some change for the laundry room. My God, people actually exist outside of the telephone and computer. Who would have thought?

Anyway, having just written twenty-eight or so pages of researched and documented scholarly bullshit, the last thing in the world that I feel like doing is writing. However, I think of this as a sort of contract, so I’ll meet everyone halfway and put up a list.

So, without further ado, here are the five crappiest books I have had to read due to my choice to major in English.

5. Hard Times by Charles Dickens: Dickens is just plain awful. Here’s a general summary of just about any Dickens novel: The rich people are bad, the poor people are good. If a woman has thick, dark hair she is good. If a man or woman is ugly, he or she is bad about two-thirds of the time. Hard Times is where Dickens lashes out at the Utilitarians, those awful people who brought sewers, public education and the idea that perhaps toddlers shouldn’t work in coal mines to Victorian England. Oh, but their education system wasn’t about feelings and creativity! Hey, Chuck, some discipline keeps the little rugrats from running around Whitechapel. Have some perspective.

4. Paris Peasant by Louis Aragon: I don’t know why I should even have to list this one. It’s not even in English. But I took a class in Surrealism and this was on the syllabus. Reading Surrealism is like watching a mime slit his wrists, only nowhere near as fun. Basically the Surrealists were a bunch of French Communists who seem to have never worked a day in their lives (naturally.) I chose this particular piece of crap because it has a dreamlike sequence where a clown plays an accordion with the word “pessimism” written across it. Merde!

Chien_Andalou.jpg3. Jane Eyre by Charlotte Bronte: This quarter I had to read Jane Eyre for the third time in my life. Next quarter I’ll have to read it again. What the hell is it with this book? While it is not the first of the proto-Fabio novels, it is certainly the most popular. Florence King wrote something once about how the formula for the romance novel is to take a mentally unbalanced squire and a young maiden (usually lower class) and have them somehow fall in love. That’s Jane Eyre in a nutshell. Add to that the fact that it has that creepy old dude marries nineteen-year-old girl thing and you’ve triggered my gag reflex.

2. The Jungle by Upton Sinclair: This book is the perfect narrative of a man’s conversion to socialism. Jurgis Rudkus comes from Lithuania with his large family and takes a job at a meat packing plant. What’s that, Jurgis? No one told you that an industrialized economy is not the place for huge families? No one warned you while you were back on the farm that Chicago in 1905 isn’t the fucking promised land? Well, it’s too late now. Jurgis fucks up at everything he does, from factory worker to common criminal to lowlife politician. It’s almost like my life, except that I chose to go to grad school when I failed at everything else. Anyway, most of his family dies in more or less ridiculous ways (I think one drowns in a snowdrift) and one female relative becomes a prostitute. (It’s nice to think that at least one of our protagonist’s family members is contributing to society.) When Jurgis fails to do anything for himself, he becomes a socialist. Think about it.

HamletSkull.jpg1. Hamlet by William Shakespeare: I just don’t get why this one is so important. Dude, if you’re gonna murder your uncle man up and do it already. “To be or not to be?” I don’t give a shit, Mr. Prince of fucking Denmark. You’re boring me. Macbeth kicks this play’s ass all over town and yet this is the one we always have to read. At least with Macbeth we get all sorts of murder and intrigue. If I’m some dumb groundling out to hit the theater in Elizabethan England you had better believe I’m going to want some gory entertainment, not some boob philosophizing about the meaning of life. More proof that Macbeth is better than Hamlet: Mel Gibson and Kenneth Branagh both did versions of Hamlet. Roman Polanski did a version of Macbeth.


Philbrick has a picture of a mime slitting his wrists sitting right next to his accordian with the word "Merde!" on it.

Archives

December 7, 2006

Part III: The Artiste

Wherein Simon explicates the existence, role and meaning of the commercial artist in America.

kerouac.jpgThomas: Simon, I do not know why I put up with you. We have not spoken in over a week, and I grow weary of standing in this room waiting for you to talk. You were about to say something about what you call the artiste, and then you simply stared blankly at the floor. Speak, already!

Simon: Please accept my most insincere apologies, Thomas. The pattern of this carpet suddenly fascinated me, and I grew transfixed. It is a nice carpet, you will agree.

Thomas: You are trying my patience. The artiste, please.

Simon: Very well. The commercial artist and the artiste have very little in common, save for one important thing: shockingly bad taste. The difference, however, lies in the audience. The commercial artist merely reflects the bad taste of the public, while the bad taste of the artiste appeals to a much narrower circle. Namely, the artiste appeals to overly educated critics and other artistes. The artiste deals in abstract theories which make no sense to the average viewer. His art is not meant to be enjoyed; rather it is meant to be appreciated. Anyone who lacks the formal education of the artiste or critic will find the artiste’s work bizarre, grotesque or both. This is why the artiste generally lives in fashionable squalor unless he is one of the few to receive a grant from the government to create his noxious emissions.

Ginsberg.jpgThomas: Why on earth would anyone want to be an artiste? It sounds dreadful.

Simon: The artiste has received too much education and a good deal of indoctrination. He therefore thinks that he is working against society, or somehow making reflections on society that others are too stupid to see. He likes to be misunderstood by everyone except his circle. If you were to ask an artiste why he smeared pig feces on a canvas and hung it in a gallery, for instance, he would bury you in jargon about Lacanian narratives, the evils of capitalism and the plight of some group of oppressed people. Other artistes would nod in agreement, while critics would write long essays on the brilliance of the work. Everyone else would simply shake their heads in disgust or not even notice. Unlike the commercial artist, the artiste thrives on his obscurity. Underneath his faux populism and left-of-Josef Stalin politics, the artiste is a snob, albeit a poor one. It is his poverty and obscurity that affirm his own superiority over the ignorant masses that he claims to champion but secretly despises. Thus we see a strange reversal of the old order. In the past, the low culture such as skiffle and hillbilly music was created by poor people and ignored by everyone else. The high culture of fine art was often rather lucrative and the artist could often make a fine living at his craft. Today, the low culture is far more lucrative, so the artiste must hole up in his trashy ghetto digs and create minimalist dance numbers in protest of whatever today’s cause happens to be. The tragedy of the artiste is that nobody really cares.

Thomas: Can the artiste escape this squalor and become a commercial artist?

Mime.jpgSimon: Yes, and the result is almost always disastrous either for the artiste or for society at large. An example of the former is Jack Kerouac, the latter, Allen Ginsberg. On the other hand, the commercial artist who tries to become an artiste is bound to turn into a laughingstock. Case in point: Madonna.

Thomas: I still do not see the point of all this.

Simon: Frankly, neither do I. It seems that the artiste is the product of a self-perpetuating community of narcissists who stand around and congratulate one another over their own lack of achievement. It is almost like government, only lacking power and money. It appears to me at the moment that the artiste is bound into a closed system that is intentionally inaccessible to most people. The artiste creates art for other artistes and for fawning art critics, both of whom revel in that which is appallingly ugly. I fear that until this circle is broken, the high arts will be confined to a cold mental tower and we shall be stuck with the saccharine drivel of Thomas Kinkade infecting the plastic arts.

Perhaps one day there will appear a Part IV, where Simon explicates the meaning, role and existence of the professional artist in America.


Philbrick has an entire wall of pig feces paintings that he's looking to get rid of..

Archives

November 30, 2006

Parts I and II: Introduction and Thesis

Parts I and II: Introduction and Thesis, Followed by an Explication of the Role of the Commercial artist in America

Wherein Simon postulates his theory of the existence of four distinct categories of American artists.

Thomas: Whatever are you doing in this drab room, Simon? It’s a sunny day, and here you are with the shutters drawn poring over God only knows what.

Simon: Well, my dear Simon, I have just received a letter from an old friend who seems quite despondent over the current state of art in our culture. It would seem that she has become a bit pessimistic.

Thomas: You two must be quite in agreement, then. Were you not just saying the other day that Kanye West should be shot from a cannon into a vat of mayonnaise?

britney_spears_sean_preston_splashnews copy.jpgSimon: Yes, and I still stand by that statement. However, that is not to say that I am pessimistic about every facet of today’s artistic climate, rather just a bit disgruntled. Perhaps when I lash out in my aggravated narcissistic belligerence, the finer points of my attitude are lost.

Thomas: Quite.

Simon: I suppose that since we now have more time and my head has cooled somewhat, I should launch into one of my long, rambling disquisitions on something that will make no difference whatever in the greater scheme of things.

Thomas: I was hoping you would, Simon.

Simon: Very well, then. Upon reflection, I have categorized the contemporary American artist into four groups: the commercial artist, the artiste, the professional artist, and the dilettante. These categories can be fluid, as you will no doubt see, but as a general rule any American artist can more or less be placed into one of them. I do not know if these categories apply to those across the pond, nor do I care.

Thomas: Yes, I know that you do not care much for the Europeans. Well, then, proceed.

Part II

Simon: Very well then, Thomas. I shall begin my long-winded diatribe by explaining the commercial artist, the first of our four categories.

Thomas: Carry on.

EddieVedder_blue.gifSimon: The commercial artist is something of a weak demigod, or if you will, a cardboard icon. He stands precariously between two vicious and fickle masters, the market and his corporate handlers above, and the public below. If he loses favor with either of these forces, he will be destroyed. He stands atop a flimsy pedestal, at the mercy of sales and public opinion. In most cases, he struts and frets his fifteen minutes upon the stage in a nearly godlike fashion, until the inevitable backlash, which strips him of this status and leaves him forgotten at best and reviled at worst.

Thomas: Why is his status so flimsy, as you put it?

Simon: The American consumer has a startlingly short attention span, due possibly to years of watching television, consuming too much sugar or some other strange variable. The commercial artist who is everywhere today will be nowhere tomorrow. If he is merely forgotten, it is probably because another quite similar commercial artist has come around to replace him, one with no more talent than his predecessor but having the transitory and superficial quality of a more youthful face. Hence, we see the spectacle of new commercial artists eclipsing their older counterparts in ratings and sales on an almost daily basis, while offering no more substance or quality than the original, which probably was not very original anyway. In other cases, something different happens. The commercial artist begins to believe, due to the adulation of his fans and skyrocketing sales, that he actually is important. At this time, he begins to behave in an outlandish manner, forgetting that he is in reality all style and no substance, all image and no text. Perhaps I am mistaken in saying that his behavior becomes outlandish: his behavior becomes human. He gets drunk, he argues with people or he states his political or religious views, but instead of doing so privately, as most people do, he is constantly surrounded by cameras and microphones recording every dumb thing that he says or does. After the public realizes that this god is actually human, the backlash is inevitable. A story in a tabloid or Entertainment Tonight spreads like a virus, infecting the commercial artist’s fans with a rabid hatred for the object that yesterday they adored. At this point, the commercial artist is not simply knocked from his pedestal; the pedestal is burned and the artist is lynched in effigy across the spectrum of media.

Thomas: Simon, there are some commercial artists out there who intentionally use their stardom to advance political causes and this does not happen to them. What is your explanation for this phenomenon?

Reznor copy.jpgSimon: Thomas, you need not feign such naiveté with me. A dancing bear with a ring through his nose is just that. The commercial artist who makes his name through outspoken political views or the championing of causes is still at the mercy of his corporate puppeteers and the fickle public. In fact, his position is even more precarious than that of the purely “pop” commercial artist. If a nitwit like Britney Spears decided to take up some cause like PETA, no one would bat an eyelash as long as she continued to spin out the same useless tripe on record. However, the political commercial artist is locked into his image even more than today’s flavor of the hour. Imagine, for instance, what would happen if Eddie Vedder decided that not only did he have a decent childhood, but that he was going to become a Republican. Or, while not necessarily political but related to the topic at hand, imagine if Trent Reznor decided to write a happy love song with no anger or ironic twist, and play it on acoustic guitar. The disruption in the vacuum between the ears of his pierced and tattooed admirers would cause a collective outburst that would make the Hajj look like a pleasant walk on the beach. The political or social commercial artist is therefore so locked into his own image that he cannot escape it for a moment. His fans know this intuitively, his record label knows this explicitly, but he must feel this most acutely. He is incapable of change. As Eminem says, “I am whatever you say I am.” This is why the most fortunate commercial artists know their inherent lack of substance on some level, and therefore exploit image to the hilt. I point you to David Bowie and Prince. Both realize that image is the name of the game, and are free to change their image at any whim. If either were to take the stage tomorrow donned in a tuxedo and singing jazz standards, the public would love it, because it would be just another example of attention-whoring pop tarts doing what they do best. Whether or not I take them seriously, I respect their inherent understanding of the way stardom works.

Thomas: But Simon, what exactly is the role of this strange creature, the commercial artist?

Simon: People need to worship something. In a secular society, pretty people become the new miniature gods, but free-market democracy makes this god status extremely unstable. These little gods remain in a constantly fluctuating and rotating divinity, and what the market giveth the market taketh away. The commercial artist is almost always bound for some sort of dreadful fate, which is why it is better to pity him than despise him. After all, pity is fare more cruel than hatred.

If you have made it this far, stay tuned for Part III, where Simon explicates the meaning, role and existence of the artiste in America. Be warned: It will only get uglier from here.


Philbrick has the cannon and the vat of mayonnaise. Now he's just waiting on Kanye West to let his guard down.

Archives

November 23, 2006

Let My People Go

Please welcome another new addition to the FTTW cabal, Philbrick.


City Walk, 2005...The horror...The horror...

[Channeling Ezekiel through Saint Augustine and Hunter Thompson]

With mine own eyes I behold the City of Man, of lust, of intemperance, of cupidity. This is an evil place to which I have come, swarming with sin and decadence. I have been here before. Sodom and Gommorah. Carthage. Rome. Las Vegas, 1971. Los Angeles, 2005. All those around me wear the mark of the beast, though the mark of the beast be not one, but multiple. Snow boots and short skirts. Clove cigarettes. A drunken leer. I ask myself, "Do you too wear the mark?" Shamefully, I do. It is stamped on my right hand, circular, placed there by an agent of the beast, who hovers at the door of the piano bar where we have gathered for a co-worker's birthday party. I huddle next to a railing and a trash can, smoke a cigarette and tremble with fear.

pianobar.jpgA midget in a cowboy hat appears before me, with eyes of fire and hovering six inches from the ground. At first I think it is a vision from our Lord, but then I realize that he is just a regular at Saddle Ranch.

Suddenly, a giant turd descends from the sky, and upon it sits an enormous fly smoking a bong. The fly blows out a puff of smoke and says, "Verily, I am sent from the Lord, and ye shall lead your people from this wicked place." He reaches into his giant turd and produces an accordion. "Son of man, swallow this accordion that ye may speak the word of the Lord to your people." He shoves the accordion down my throat and it tastes like honey. I fall to the ground weeping.

An invisible hand pulls me to my feet and leads me to my people. I open my mouth and the word of the Lord speaks through the undigested accordion. "I the Lord say to you Israelites that you have come to a wicked place of sin and corruption and I will not tolerate this behavior from those whom I once have blessed."

"What the fuck are you talking about, we aren't even Jewish," replies one of my companions.

metatron.jpgFrom my mouth comes, "Do not question me you smug little prick, for I am the Lord, and verily I say unto thee, get thee to the parking garage and do not look back. The end is nigh. Okay, so maybe not the real end, but things could get ugly around here, if you get my drift."

The fly on the turd says, "Lead your people from this place now. Do not look back on those you have left in the piano bar, for it is too late and they have designated drivers."

The voice of the Lord issues from my mouth: "I, the Lord, say unto thee, leave this place, get thee to the parking garage, from the parking garage to your cars, from your cars to your comfortable suburban homes. Verily, I am the Lord, and I have spoken."

"I don't know what the hell he's talking about, but he's right, this place sucks," says another of my companions. The companions debate shortly before agreeing that indeed this place sucks and we should all go home or to Denny's. It is agreed that those left behind will not even remember that we left without saying goodbye, as they were last seen gulping down shots of cheap tequila and crying on their cell phones. We go to our cars, and scatter like dust to our separate homes.

The voice of the Lord exits my body in a large belch somewhere on the 405, and I go home and sleep until 10:00 on Sunday morning. After all, why go to church after all that?

"The Lord" speaks through Philbrick quite often. Usually after chili.

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